About this title: One of the things that makes the sacred a cappella work of Antony Pitts (born in 1969) stand out from that of the many excellent emerging choral composers of his generation is his fearless defiance of harmonic and melodic conventions; just when you think he's heading for an easy landing, he veers off into unexpected, exhilaratingly wild territory. This music strives for, and frequently succeeds in, expressing a state of astonishing, soaring, feral ecstasy. Pitts' work frequently includes dense chromatic harmonies that in other contexts might sound raw, but when sung are complex, but warm, ...
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