About this title: Even though Louis Spohr lived well into the Romantic era, and was a contemporary of such cutting-edge figures as Beethoven, Berlioz, Paganini, Liszt, and Wagner, his music stayed remarkably Classical in form and substance, and sounded conservative in style, even late in his career. It shouldn't be surprising to find that his Symphony No. 1 in E flat major, Op. 20 (1811), would sound a lot like Mozart's Symphony No. 39 in E flat major, K. 543; or that the Symphony No. 2 in D minor, Op. 49 (1820), while somewhat more advanced and original in symphonic development, would sound no more radical ...
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