About this title: Here Hopkinson Smith, the poet of pluck, takes up five different kinds of lutes plus a vihuela de mano and a Baroque guitar, each of which sounds fantastic in his hands. Whether it's a 13-course Baroque lute for Bach and Weiss; an 11-course Baroque lute for Mouton, Gaultier, or de Gallot; a 10-course Renaissance lute for Kapsperger; an 8-course Renaissance lute for Dowland; a 6-course renaissance alto lute for Attaingnant; a vihuela de mano for Mudarra and de Narváez; or a Baroque guitar for Sanz and Guerau, Smith is consistently and constantly extraordinary. Smith's tone is translucent, his ...
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