About this title: What can be said about Britten's War Requiem that hasn't already been said? That it is brilliantly composed, endlessly fascinating, and profoundly affecting? That it is lyrically heartrending, musically heartbreaking, and emotionally devastating? That it is the single most persuasive setting of the Requiem text of the twentieth century? That is ...
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War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Requiem aeternam. Rehearsal
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Dies irae. Rehearsal of the opening section
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Dies irae. Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Dies irae. Rehearsal of end of movement
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Offertorium. Rehearsal
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Sanctus. Rehearsal
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Sanctus. Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Agnus Dei. Discussion in the control room between Britten, Peter Pears and John Culshaw
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Libera me. Discussion in the control room between Britten and John Culshaw
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Libera me. Rehearsal
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Rehearsing War Requiem. Libera me. Rehearsal of closing page
Note: This is a general synopsis. Each listing is described below.
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