About this title: One has to hand it to musicologist Daniele Ferrari for working so hard on behalf of composer Giovanni Battista Sammartini. Even as the shelves of university libraries sag under the weight of older, unused critical editions of Sammartini's works, Ferrari always makes his own scores from original manuscripts and books his own recording sessions. That Ferrari often has to settle for second-rate musicians to populate his Capriccio Italiano Ensemble is a mere by-product of his mission, to expose as much of Sammartini's unjustly neglected work as possible. In the case of Sammartini's symphonies, ...
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