About this title: The growth in popularity in the countertenor voice has worked to the benefit of the listener, who can now choose from among singers of various types. There are big-voiced, athletic singers specializing in operas and emphasizing the power a male soprano or alto can deliver. There are melancholy tragedians who trade in the dolorous sighs of the madrigalian singing in which countertenors were first heard in the middle of the twentieth century. And then there are the specialists, with distinctive voices of their own. One French publication called Philippe Jaroussky a "young singer with the tone ...
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