About this title: There are many, many good things about Andrew Parrott and the Taverner Consort and Players' Bach performances -- their luminous colors, complete clarity, utter lucidity, and structural integrity -- that there is an uneasy feeling in criticizing them for their occasional flaws. When Parrott's Bach is good, it is as great as any that has been recorded in the past 20 years. It's as great as Leonhardt's, Koopman's, or Herreweghe's, and far better than Gardiner's, Harnoncourt's, or Rilling's. And Parrott's Bach is so great in the great pieces -- so great in the overwhelming dramatic intensity of ...
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