About this title: Even though the 1792 completion by Franz Xaver Süssmayer is regarded by many as the standard performing version of Wolfgang Amadeus Mozart's unfinished Requiem in D minor, several musicologists have tried their hands at alternative versions with varying degrees of success. In his masterful edition, Robert Levin preserves all that is reliably Mozart's music and much that is admirable of Süssmayer's handiwork, though he substantially recomposes the inept Hosanna fugue, and here and there touches up faulty harmonies and clumsy orchestration. Levin also replaces the cadential close of the ...
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