The Naxos label diverges from its usual plain graphic design with this attempt to create the idea of an "alternative classical" genre, an idea that has paid big dividends when applied to rock and country music. Most of the selections are drawn from existing Naxos releases, with a few taken from discs by Denmark's Da Capo and Germany's CPO labels. ...
Not quite Penderecki's greatest hits, this two-disc collection of the postwar Polish composer's orchestral works will give curious listeners unfamiliar with the composer a taste of what his music is like. Compiling 12 works composed over 15 years starting with the shattering Threnody for the Victims of Hiroshima from 1959 and ending with the ...
Krzysztof Penderecki's St. Luke Passion (Passio et mors Domini Nostri Jesu Christi secundum Lucam) is considered by many to be a landmark work in the history of twentieth century. One would not know that from the degree to which the work has been recorded; since its 1965 premiere, the St. Luke Passion has only been recorded in its entirety three ...
Naxos continues its exploration into the major repertoire of Polish composer Krzysztof Penderecki with his Polish Requiem, which has an interesting background in that its various sections were assembled over time, much in the manner of Johann Sebastian Bach's Mass in B minor. Although the "Sanctus" wasn't added until 1993, most of the individual ...
The most notable feature of Penderecki's Symphony No. 7, "Seven Gates of Jerusalem," is that it sounds more like an oratorio than a symphony; in fact, one movement is set for a cappella chorus. It is not surprising, then, to discover that Penderecki wrote the piece in 1996 as an oratorio in celebration of Jerusalem's third millennium and didn't ...
Pretty gloomy stuff, these three works by Polish post-modernist composer Krzysztof Penderecki are also pretty small beer. Of course, Penderecki has always been gloomy -- any composer whose signature work is the Threnody for the Victims of Hiroshima of 1959 is going to tend toward the dark side. But since he stopped writing in the style of his the ...
Try this disc when you're driving in your car. You will get to work energized, perhaps even early. The Deutsches Streichtrio plays the String Trio with taut energy laced with threat and dashed with melancholy. They remind me of the way the Emerson String Quartet plays Bartok. When they tire of hurling chromatic bolts of demi-melody, they lead you ...
If you didn't already know, you could still guess that two of the very different works on this disc were written by the same composer. The Capriccio from 1967 is an intensely expressive and grotesque parody of the grand violin concertos of the nineteenth and early twentieth century; the De Natura Sonoris from 1971 is a more self-consciously avant ...
This 2004 survey of modern settings of the medieval sequence Stabat Mater Dolorosa is part of conductor Marcello Viotti's project to record the little-known but worthy sacred works of the twentieth century, in conjunction with the Munich Radio Orchestra and the Bavarian Radio Chorus for their concert series Paradisi gloria. The four works by ...
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