Noël: Carols & Chants for Christmas (2005) more music like this

performed by Andrew Lawrence-King (psaltery), Andrew Lawrence-King (irish harp), Andrew Lawrence-King (baroque harp), Anonymous 4, Jacqueline Horner (vocals), Johanna Rose (vocals), Marsha Genensky (vocals), Susan Hellauer (vocals)
composed by Anonymous, Anonymous, Codex Las Huelgas, Anonymous, English, Anonymous, French, Anonymous, Medieval Hungarian Polyphony, Anonymous, Ritson Manscript, Benjamin Britten, Christmas Traditional, English Traditional, Geoffrey Burgon, Gregorian Chant

Anonymous 4, the a cappella women's vocal quartet, has recorded a number of albums of sacred music for the Christmas season, and this set is a reissue of four of the most popular -- Legends of St. Nicholas: Medieval European Chant and Polyphony, Wolcum Yule: Celtic and British Songs and Carols, On Yoolis Night: Medieval Carols and Motets, and A ...

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Christmas Carols (2007) more music like this

performed by Andrew Lawrence-King (harp), Andrew Parrott (tenor), Caroline Trevor (alto), Catherine King (mezzo-soprano), Catherine King (alto), Charles Daniels (tenor), Crispian Steele-Perkins (trumpet), David Blackadder (trumpet), Douglas Wootton (tenor)
composed by Anonymous, Anonymous, Ritson Manscript, Anton Webern, Arnold Schoenberg, Cesare Bendinelli, Christmas Traditional, Christopher Tye, Edmund Pascha, Felix Mendelssohn, Francisco de Vidales, Franz Liszt, Franz Xaver Gruber, Giovanni Gabrieli, Henri Mulet

This box set, called Christmas Carols, includes all four discs originally released between 1987 and 1995 by Andrew Parrott and the Taverner Consort: Festive Music from Europe and America, Nine Centuries of Seasonal Music, and The Carol Album I: Seven Centuries of Christmas Music, plus its sequel, The Carol Album II: Seven Centuries of Christmas ...

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Britten: Ceremony of Carols (1999) more music like this

performed by Dorothy Linell (lute), Christ Church Cathedral Choir of Men and Boys, Indianapolis (choir, chorus)
composed by Anonymous, Anonymous, French, Anonymous, Ritson Manscript, Benjamin Britten, Christmas Traditional, English Traditional, Hans Leo Hassler, Jacobus Handl (Gallus), Thomas Tallis, Tomás Luis de Victoria

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Essential Carols: The Very Best of King's College Choir, Cambridge (2005) more music like this

performed by Andrew Davis (organ), Hervey Alan (bass baritone), Simon Preston (organ), Choir of King's College, Cambridge (choir, chorus), London Symphony Orchestra, David Willcocks (conductor)
composed by Anonymous, Anonymous, Ritson Manscript, Boris Ord, Christmas Traditional, Felix Mendelssohn, French Traditional, Harold Darke, Henry John Gauntlett, Johann Sebastian Bach, John Francis Wade, John Goss, John Joubert, Michael Praetorius, Peter Cornelius

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Lullaby: Music for Quiet Times (2002) more music like this

performed by Aaron Smyth, Alexander Cook, Alexander Huguet, Benjamin Donati, Bryan Hobgood, Christopher Boone, Christopher Chong, Colin Worf, Devon Grant, François Suhr, Gregory Stephans, Henry Clapp, Jamaal Coleman, June Gustafson, Justin Harris, Martin Shedd
composed by Anonymous, Ritson Manscript, Christmas Traditional, Edvard Grieg, Franz Schubert, Johann Sebastian Bach, Johannes Brahms, John Jacob Niles, Karl Leuner, Korean Traditional, Maurice Ravel, Michael Praetorius, Ralph Vaughan Williams, Robert Schumann

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Medieval Christmas (2006) more music like this

performed by Angus Smith (tenor), Donald Greig (baritone), Mark Dobell (tenor), Robert Harre-Jones (counter tenor), Orlando Consort (choir, chorus)
composed by Anonymous, Aquitanian Repertory, Anonymous, Codex Chantilly, Anonymous, Egerton Manuscript 3307, Anonymous, English Polyphony, Anonymous, French, Anonymous, Ritson Manscript, Anonymous, Winchester Troper, Antoine Brumel, Antoine Busnois, Arnold de Lantins

The title of this album by the Orlando Consort -- Medieval Christmas -- should be taken at face value -- this is not the kind of familiar merry Renaissance music that is sung and played by costumed revelers at madrigal dinners, this is unaccompanied vocal music primarily of the eleventh through the fifteenth centuries, presented without ...

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