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Pärt: Tabula Rasa

Pärt: Tabula Rasa (1984) more music like this

performed by 12 Cellists of the Berlin Philharmonic, Alfred Schnittke (prepared piano), Gidon Kremer (violin), Keith Jarrett (piano), Tatjana Grindenko (violin)
composed by Arvo Pärt

Arvo Pärt delivers a brief collection of sacred music -- bold, stoic, and sober. His compositions are full of a passionate and melancholy sort of life, a life of deep humility and faith. One of his earliest releases on the ECM label, Tabula Rasa is a richly woven tapestry of string arrangements, and a good introduction to his work. The album opens ...

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Schnittke: Symphony No. 1

Schnittke: Symphony No. 1 more music like this

performed by Aleksei Lubimov (piano), Tatjana Grindenko (violin), Russian State Symphony Orchestra, Gennady Rozhdestvensky (conductor)
composed by Alfred Schnittke

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The Many Musics of Gidon Kremer

The Many Musics of Gidon Kremer more music like this

performed by Andrei Pushkarev (vibraphone), David Geringas (cello), Eduard Brunner (clarinet), Gidon Kremer (violin), Isabelle van Keulen (violin), Kim Kashkashian (viola), Klaus Thunemann (bassoon), KREMERata BALTICA, Martha Argerich (piano), Mischa Maisky (cello)
composed by Alfred Schnittke, Arthur Vincent Lourié, Astor Piazzolla, Felix Mendelssohn, Franz Schubert, Johannes Brahms, Leonid Desyatnikov, Ludwig van Beethoven, Nathan Milstein, Philip Glass, Richard Strauss, Wolfgang Amadeus Mozart

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Schnittke: Symphony No. 6; Concerto grosso No. 2

Schnittke: Symphony No. 6; Concerto grosso No. 2 (2004) more music like this

performed by Alexander Ivashkin (cello), Tatjana Grindenko (violin), Russian State Symphony Orchestra, Valery Polyansky (conductor)
composed by Alfred Schnittke

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Kremer Plays Schnittke

Kremer Plays Schnittke more music like this

performed by Gidon Kremer (violin), Tatjana Grindenko (violin), Yuri Smirnov (piano), Yuri Smirnov (prepared piano), Yuri Smirnov (harpsichord)
composed by Alfred Schnittke

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Gidon Kremer Edition [Box Set]

Gidon Kremer Edition [Box Set] more music like this

performed by German Chamber Music Society, Gidon Kremer (violin), Maria Bondarendo (piano), Mikhael Muntyan (celeste), Oleg Kagan (violin), Oleg Maisenberg (piano), Tatjana Grindenko (violin), Yuri Smirnov (piano)
composed by Anton Webern, Arnold Schoenberg, Arthur Vincent Lourié, Béla Bartók, Camille Saint-Saėns, Ernest Chausson, Eugene Ysa˙e, Felix Mendelssohn, Franz Schubert, Georg Philipp Telemann, Grigoras Dinicu, Heinrich Ignaz Franz von Biber, Heinrich Wilhelm Ernst

For collectors of recordings by Latvian violinist Gidon Kremer, this 10-disc set called Historical Russian Archives will be just the thing to fill the stray gaps in his discography. Recorded between 1967 and 1992, the sound here ranges from the acceptable to the outstanding, and featuring works from Bach's Chaconne to Salmanov's Second Violin ...

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Schnittke: Orchestral Works & Chamber Music

Schnittke: Orchestral Works & Chamber Music (2000) more music like this

performed by Gidon Kremer (violin), Ludmila Golub (organ), Tatjana Grindenko (violin), Vladimir Spivakov (violin), Stuttgart Chamber Orchestra
composed by Alfred Schnittke

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Artyomov: Awakening

Artyomov: Awakening (2000) more music like this

performed by Oleh Krysa (violin), Tatjana Grindenko (violin), Valery Popov (bassoon), State Symphony Orchestra
composed by Vyacheslav Artyomov

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Alfred Schnittke: Concerti Grossi Nos. 1 & 5

Alfred Schnittke: Concerti Grossi Nos. 1 & 5 (2002) more music like this

performed by Gidon Kremer (violin), Rainer Keuschnig (piano), Tatjana Grindenko (violin), Yuri Smirnov (piano), Yuri Smirnov (harpsichord), Yuri Smirnov (prepared piano)
composed by Alfred Schnittke

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Alexander Ivashkin Plays Schnittke

Alexander Ivashkin Plays Schnittke (2007) more music like this

performed by Alexander Ivashkin (cello), Irina Schnittke (piano), Tatjana Grindenko (violin), Russian State Symphony Orchestra, Valery Polyansky (conductor)
composed by Alfred Schnittke

Alfred Schnittke's works for cello -- particularly the concertos and sonatas -- are among his most significant and mature compositions. The majority of the pieces heard on this two-disc set are a snapshot of the effects of the composer's first, massive stroke in 1985. After this incident, Schnittke's works became even more dissonant, aggravated, ...

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