John Foulds: Three Mantras (2004) more music like this

performed by Daniel Hope (violin), Susan Bickley (mezzo-soprano), City of Birmingham Symphony Youth Chorus (choir, chorus), City of Birmingham Symphony Orchestra, Sakari Oramo (conductor)
composed by John Foulds

Known for his popular salon pieces, John Foulds was much less recognized for his large orchestral works, and few of these were played or published when he was alive. His lush and mystically charged works spring from the influence of the late Romantics, such as Strauss and Elgar, yet they also have a strong Impressionistic quality, which puts ...

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Purcell: The Fairy Queen (2002) more music like this

performed by Catherine Pierard (soprano), David Wilson-Johnson (bass), Howard Crook (tenor), Lorraine Hunt Lieberson (soprano), Mark Padmore (tenor), Richard Wistreich (bass), Susan Bickley (mezzo-soprano), Schutz Choir of London (choir, chorus)
composed by Henry Purcell

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J.S. Bach: St. Matthew Passion (2003) more music like this

performed by Deborah York (soprano), Gabrieli Players, James Gilchrist (tenor), Julia Gooding (soprano), Magdalena Kozená (mezzo-soprano), Mark Padmore (tenor), Peter Harvey (bass), Stephan Loges (bass), Susan Bickley (mezzo-soprano)
composed by Johann Sebastian Bach

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Handel: Theodora (2000) more music like this

performed by Angus Smith (vocals), Gabrieli Consort & Players, Neal Davies (baritone), Paul Agnew (tenor), Robin Blaze (counter tenor), Susan Bickley (mezzo-soprano), Susan Gritton (soprano), Paul McCreesh (conductor)
composed by George Frederick Handel

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Handel: Solomon more music like this

performed by Alison Hagley (vocals), Andreas Scholl (vocals), Inger Dam-Jensen (vocals), Paul Agnew (vocals), Peter Harvey (vocals), Susan Bickley (vocals), Susan Gritton (vocals)
composed by George Frederick Handel

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Rossini: The Thieving Magpie (2003) more music like this

performed by Barry Banks (tenor), Christopher Purves (baritone), Darren Jeffrey (baritone), Jeremy White (bass), John Graham-Hill (tenor), Majella Cullagh (soprano), Nerys Jones (mezzo-soprano), Nicholas Garrett (bass), Philip Tebb (bass), Prunella Scales (vocals)
composed by Gioachino Rossini

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Arbos (1968) more music like this

performed by Christopher Bowers-Broadbent (organ), David James (counter tenor), Gidon Kremer (violin), Hilliard Ensemble, Lynne Dawson (soprano), Rogers Covey-Crump (tenor), Susan Bickley (alto), Thomas Demenga (cello), Vladimir Mendelssohn (viola)
composed by Arvo Pärt

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Songs by Reynaldo Hahn (1996) more music like this

performed by Chris Gould (piano), Felicity Lott (soprano), Graham Johnson (piano), Ian Bostridge (tenor), Stephen Varcoe (baritone), Susan Bickley (mezzo-soprano), London Schubert Chorale (choir, chorus)
composed by Reynaldo Hahn

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Rubbra: Sinfonia concertante; Tribute; Ode to the Queen (2001) more music like this

performed by Howard Shelley (piano), Susan Bickley (mezzo-soprano), BBC National Chorus of Wales (choir, chorus), BBC National Orchestra of Wales, Richard Hickox (conductor)
composed by Edmund Rubbra

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Bantock: Orchestral Music [Box Set] (2007) more music like this

performed by Elizabeth Connell (soprano), Julian Lloyd Webber (cello), Kim Begley (tenor), Roy Jowitt (clarinet), Susan Bickley (mezzo-soprano), Royal Philharmonic Orchestra, Vernon Handley (conductor)
composed by Granville Bantock

If one imagined a more sensuous Elgar, a more vigorous Delius, a less rigorous Wagner, or a less morbid Mahler, one would have imagined the music of Granville Bantock, the fin de siècle English composer who contrived to continue composing late Romantic music straight through to his death in 1946. But if these admittedly invidious comparisons don ...

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Bantock: Sappho; Sapphic Poem (1997) more music like this

performed by Julian Lloyd Webber (cello), Susan Bickley (mezzo-soprano), Royal Philharmonic Orchestra, Vernon Handley (conductor)
composed by Granville Bantock

One generation's pornography is another generation's curiosity. Grenville Bantock's setting of his wife's dilations on Sappho entitled Sappho from 1906 was supremely seductive to the Edwardian England of its day, a seductiveness spiced by the apparent uncertain nature of the sexual inclinations of Bantock's wife. But whether it is Sappho and her ...

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Rubbra: Symphonies 5 & 8/Ode to the Queen (1999) more music like this

performed by Susan Bickley (mezzo-soprano), BBC National Orchestra of Wales, Richard Hickox (conductor)
composed by Edmund Rubbra

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Boccherini: Stabat Mater; D'Astorga: Stabat Mater [Hybrid SACD] (1999) more music like this

performed by King's Consort, Paul Agnew (tenor), Peter Harvey (bass), Sarah Fox (soprano), Susan Bickley (mezzo-soprano), Susan Gritton (soprano), Robert King (conductor)
composed by Emanuele d'Astorga, Luigi Boccherini

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George Benjamin: Three Inventions (1997) more music like this

performed by John Wallace (flugelhorn), London Sinfonietta, Susan Bickley (mezzo-soprano), London Philharmonic Orchestra, George Benjamin (conductor)
composed by George Benjamin

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Purcell: Dido & Aeneas more music like this

performed by Dominique Visse (counter tenor), Gerald Finley (baritone), Lynne Dawson (soprano), Maria Cristina Kiehr (soprano), Robin Blaze (counter tenor), Rosemary Joshua (soprano), Stephen Wallace (counter tenor), Susan Bickley (soprano)
composed by Henry Purcell

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The Young Donizetti (2004) more music like this

performed by Annick Massis (vocals), Bruce Ford (vocals), Cristina Pastorello (vocals), Della Jones (vocals), Diana Montague (vocals), Dominic Natoli (vocals), Eiddwen Harrhy (vocals), Jennifer Larmore (vocals), Jonathan Best (vocals), Jonathan Viera (vocals)
composed by Gaetano Donizetti

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Monteverdi: Il ballo delle ingrate; Il combattimento di Tancredi e Clorinda; Ballo 'Movete'; Altri canti d'Amor (1991) more music like this

performed by Catherine Pierard (soprano), John Potter (tenor), Mark Padmore (tenor), Mary Seers (soprano), Parley of Instruments, Red Byrd, Richard Wistreich (bass), Susan Bickley (mezzo-soprano)
composed by Claudio Monteverdi

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Vivaldi: Juditha Triumphans (1998) more music like this

performed by Ann Murray (mezzo-soprano), Jean Rigby (mezzo-soprano), Maria Cristina Kiehr (soprano), Sarah Connolly (mezzo-soprano), Susan Bickley (mezzo-soprano), King's Consort Choir (choir, chorus), King's Consort, Robert King (conductor)
composed by Antonio Vivaldi

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On Buying a Horse: The Songs of Judith Weir (2006) more music like this

performed by Ailish Tynan (soprano), Andrew Kennedy (tenor), Ian Burnside (piano), Susan Bickley (mezzo-soprano)
composed by Judith Weir

The title of this collection of vocal music by Scottish composer Judith Weir refers only to the opening track, a song setting a non-animal-rights-friendly folk text about how to judge a horse for purchase ("four white feet and a white nose/take off his hide and feed him to the crows"). Yet the song gives a good introduction to the artistry shown ...

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Writing to Vermeer (2006) more music like this

performed by Barbara Hannigan (soprano), Marijje van Stralen (vocals), Marjolein Niels (vocals), Martine Straesser (vocals), Melanie Greve (vocals), Michel van der Aa (electronics), Susan Bickley (mezzo-soprano), Susan Narucki (soprano), Tomoko Makuuchi (vocals)
composed by Louis Andriessen

One of the last operas produced in the twentieth century was Louis Andriessen's Writing to Vermeer, premiered at the Netherlands Opera on December 1, 1999. It is a handsome production indeed, with libretto and gigantic film projection components by Peter Greenaway and bursts of electronic music contributed by Michel van der Aa. However, all things ...

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Thomas Adès: America: A Prophecy (2004) more music like this

performed by Andrew Webster (clarinet), Christopher Bowers-Broadbent (organ), Christopher Maltman (baritone), Claron McFadden (soprano), Corin Long (double bass), Dov Scheindlin (viola), Duncan Prescott (clarinet), Hugh Watkins (piano), Hugh Webb (harp)
composed by Christopher Foreman / Cathal Smyth, François Couperin, Thomas Adès

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Stravinsky: Oedipus Rex; Les Noces (2004) more music like this

performed by Alan Ewing (basso profundo), Alison Wells (soprano), Andrew Greenan (bass), David Wilson-Johnson (bass baritone), Edward Fox (speech/speaker/speaking part), International Piano Quartet, Jennifer Lane (mezzo-soprano), Joseph Cornwell (tenor)
composed by Igor Stravinsky

This Naxos disc is a coupling of two recordings originally issued by Koch. Both the recordings were part of Robert Craft's continuation of the complete Stravinsky edition he had begun on MusicMasters. Craft's second Oedipus Rex is less than entirely compelling. Martyn Hill is a virile Oedipus and Jennifer Lane is a noble Jocasta, but Craft is a ...

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Britten & Messiaen: Choral Works (2001) more music like this

performed by Cynthia Millar (ondes martenot), Gordon Jones, London Sinfonietta Voices, Peter Hall, Rolf Hind (piano), Sarah Leonard, Susan Bickley, London Sinfonietta Chorus (choir, chorus), London Sinfonietta Voices (choir, chorus)
composed by Benjamin Britten, Olivier Messiaen

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Voices, Vol. 2: Half-Close Your Eyes (2003) more music like this

performed by Ian Burnside (piano), Lisa Milne (soprano), Susan Bickley (mezzo-soprano)
composed by Arthur Honegger, Charles Bordes, Charles Koechlin, Claude Debussy, Frederick Delius, Gustave Charpentier, Jósef Zygmunt Szulc, Lady Dean Paul, Maurice Ravel, Ralph Vaughan Williams, Reynaldo Hahn

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Handel: Serse (Xerxes) (1998) more music like this

performed by Brian Asawa (counter tenor), David Thomas (bass), Dean Ely (bass baritone), Hanover Band, Jennifer Smith (soprano), Judith Malafronte (mezzo-soprano), Lisa Milne (soprano), Susan Bickley (mezzo-soprano), Nicholas McGegan (conductor)
composed by George Frederick Handel

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