Several discs from the first wave of major recordings of songs by Clara Schumann have entered the reissue cycle, and many are holding up well. The unique feature of this one is the presence of a male vocalist, baritone Stephan Loges. It may be a little disconcerting to hear a male singer in songs that traditionally would have had a strong female ...
One would have thought that at some point Graham Johnson would simply have run out of great Schubert songs in compiling his Schubert edition. And one would have been wrong: even here at volume 35 in a program with the unwieldy title of Schubert, 1822 -- 1825, Johnson has seemingly saved some of the best for nearly the end. But what else could a ...
Any volume of Graham Johnson's Schubert edition that has one of the numerous settings of Matthisson's Der Geistertanz is a good volume. And that this volume starts with the men of the London Schubert Chorale belting out the slightly inebriated 1816 setting from the D. 494 is a great start to what proves to be a great volume in the series. How ...
Beginning in December of 1999, England's Monteverdi Choir and English Baroque Soloists, with conductor John Eliot Gardiner, undertook a complete cycle of Bach's cantatas in live performance. In addition to the use of period instruments, these concerts were doubly "authentic": they were matched as closely as possible to the Lutheran liturgical year ...
Aside from the gargantuan logistical problems of moving a chamber orchestra, chorus, soloists, and conductor, plus recording equipment with engineers and producers every week, the aesthetic challenges of John Eliot Gardiner's Bach cantata pilgrimage must have been colossal. Imagine: every week the musicians had to prepare and present three or more ...
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