Casting the Classical-era repertory net beyond Franz Josef Haydn and Mozart has had the beneficial effect of showing that styles we think of as, say, specifically Mozatian often were part of the general Austrian vocabulary of the day. In the realm of sacred music, Michael Haydn's example set patterns that Mozart learned in Salzburg and followed ...
Thoroughly enjoyable if not especially affecting or particularly profound, Ivor Bolton's 2004 recording of Haydn's Die Jahreszeiten with the Mozarteum Orchestra will not displace the great recordings of the past, but will still provide enjoyable listening for those who already know the work well and can't wait to hear it again. Bolton's ...
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