Your search: Classical Music » Artist: Rudolf Vonasek
(6 matching classical music titles)
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Smetana: The Bartered Bride
(2002)
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performed by
Beno Blachut (vocals) , Bohumil Vild (vocals) , Bohumir Vich (vocals) , Jan Soumar (vocals) , Jarmila Palivcova (vocals) , Jarmila Pechova (vocals) , Jiri Vala (vocals) , Josef Heriban (vocals) , Karel Kalas (vocals) , Ladislav Mraz (vocals)
composed by
Bedrich Smetana
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Janácek: The Cunning Little Vixen
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performed by
Dalibor Jedlicka (bass) , Eva Hlobilova (soprano) , Eva Zikmundová (soprano) , Gabriela Kolárová (soprano) , Helena Tattermuschova (soprano) , Jan Hlavsa (tenor) , Jaroslava Dobra (soprano) , Jaroslava Procházková (contralto) , Josef Heriban (baritone)
composed by
Leos Janácek
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The Bartered Bride
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performed by
Drahomira Tikalova (soprano) , Eduard Haken (bass) , Ivo Zidek (tenor) , Jaroslav Horacek (bass) , Jaroslava Dobra (soprano) , Jiri Joran (bass) , Oldrich Kovar (tenor) , Rudolf Vonasek (tenor) , Stepanka Stepanova (alto) , Vaclav Bednar (baritone)
composed by
Bedrich Smetana
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Janáceck: The Makropulos Case
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performed by
Helena Tattermuschova (mezzo-soprano) , Ivo Zidek (tenor) , Jaroslava Procházková (contralto) , Jiri Joran (bass) , Karel Berman (bass baritone) , Milada Musilova (contralto) , Milan Karpisek (tenor) , Premysl Koci (baritone) , Rudolf Vonasek (tenor)
composed by
Leos Janácek
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Smetana: The Bartered Bride
(1993)
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performed by
Beno Blachut (tenor) , Bohumil Vild (vocals) , Bohumir Vich (tenor) , Jan Soumar (bass) , Jarmila Palivcova (soprano) , Jarmila Pechova (soprano) , Jiri Vala (vocals) , Josef Heriban (baritone) , Karel Kalas (bass) , Ladislav Mraz (baritone)
composed by
Bedrich Smetana
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Dvorák: Cert a Káca (Kate and the Devil)
(2008)
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performed by
Jaroslav Horacek (bass) , Jaroslava Vymazalova (soprano) , Karel Berman (bass) , Lubomir Havlak (tenor) , Ludmilla Komancová (soprano) , Marie Steinerova (soprano) , Premysl Koci (bass) , Rudolf Asmus (bass) , Rudolf Vonasek (tenor) , Vera Krilova (mezzo-soprano)
composed by
Antonin Dvorák
Except for Rusalka, Dvorák's operas have never gotten much of a foothold outside Czechoslovakia. Kate and the Devilhas remained a national favorite in Czechoslovakia, though, and it's easy to see why; it may have an intentionally ridiculous libretto, but it's full of the composer's typically melodious inventiveness. Written soon after his Symphony ...
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