This delightful group of recordings by the young Victoria de los Angeles ought to find listeners beyond the group of operatic collectors at whom it is primarily aimed. Made between 1950 and 1964, they remained mostly unreleased for various reasons. The 1964 group, conducted by Yehudi Menuhin, was rejected because of the obvious struggles faced by ...
Recorded in 1966, Robert Shaw's Grammy Award-winning performance of Handel's Messiah marks an important turning-point in this work's interpretation, clearly moving away from the ponderous, overly reverential style of early twentieth century renditions and pointing toward the leaner versions of the 1970s onwards, which follow Baroque-period ...
Sacred Classics is a two-disc compilation of favorite religious arias and choruses selected from EMI's extensive catalog of fine performances. Covering a wide range of Baroque, Classical, and Romantic works, this collection provides representative excerpts from major oratorios, cantatas, and masses, though the arrangement of pieces is somewhat ...
Never has Mahler's symphonic song cycle Das Lied von der Erde seemed so operatic as it does in this 1959 RCA recording by Fritz Reiner and the Chicago Symphony Orchestra with tenor Richard Lewis and alto Maureen Forrester. Lewis sounds heroically defiant in the opening Das Trinklied vom Jammer der Erde and brashly amusing in Der Trunkene im Fr ...
Malcolm Sargent was at one time the musical director of the D'Oyly Carte Opera Company, so he brings real authority to this 1956 recording of The Mikado, made with the Glyndebourne Festival Chorus and the Pro Arte Orchestra. The clarity of his conducting makes the score sparkle and brings out felicities of orchestration that are too often lost. ...
Malcolm Sargent recorded 10 Gilbert and Sullivan operettas in productions based on performances at the Glyndebourne Festival in the late '50s and early '60s, and this version of H.M.S. Pinafore is among his most successful efforts. Sargent's reading is notable for its typically nuanced attention to details of the score, and the performances by his ...
Of all the hundreds, maybe thousands of versions of Handel's Messiah on the market, ranging from full symphonic treatments with big professional choirs to sober, earnest oratorio-society readings, to the various kinds of authentic-performance recordings, this 1959 performance by the Royal Liverpool Philharmonic Orchestra and Huddersfield Choral ...
In 2007, EMI finally resolved the decades-old debate among collectors as to which is the better recording of Elgar's oratorio The Dream of Gerontius -- John Barbirolli's with the Hallé Orchestra from 1964 or Adrian Boult's with the New Philharmonia from 1975. It did this by releasing Barbirolli's Gerontius coupled with Boult's 1966 recording of ...
The live recording of Don Giovanni conducted by Georg Solti at the Royal Opera House in 1962 captures an unusually strong performance featuring an outstanding cast of Mozart veterans, many of them at the height of their powers. Cesare Siepi's Don Giovanni (his debut performance at the house) is a model of easy, youthful arrogance, and vocally he's ...
We guarantee every item's condition, as described on Alibris. If you are not satisfied that an item is as described, return your purchase for a refund.
![Mahler: The Song of the Earth [Hybrid SACD]](http://images.alibris.com/cover/m38811rot9l_t.jpg)
![Handel: Messiah [Highlights]](http://images.alibris.com/cover/m25530vwson_t.jpg)
![Mozart: Cosi fan tutte [Highlights]](http://images.alibris.com/cover/l478658654b_t.jpg)
Portions of content provided by All Music Guide or All Movie Guide. © 2009 All Media Guide, LLC. All Music Guide and All Movie Guide are registered Trademarks of All Media Guide, LLC.