Ave Maria: Sacred Arias and Choruses (1997) more music like this

performed by Anna di Mauro (mezzo-soprano), Camerata Budapest, Colm Carey (organ), Ingrid Kertesi (soprano), József Mudd (tenor), Jozsef Mukk (tenor), Lisa Beckley (soprano), Priti Coles (soprano), Scholars Baroque Ensemble, Hungarian Radio Chorus (choir, chorus)
composed by César Franck, Charles Gounod, Franz Schubert, Gabriel Fauré, Gaetano Donizetti, George Frederick Handel, Georges Bizet, Giuseppe Giordani, Johann Sebastian Bach, Ludwig van Beethoven, Wolfgang Amadeus Mozart

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Mozart: Coronation Mass; Laudate Dominum; Sub Tuum Praesidium (1991) more music like this

performed by Andreas Martin (bass), Anna di Mauro (mezzo-soprano), Camerata Cassovia (chamber ensemble), John Dickie (tenor), Priti Coles (soprano), Kosice Teacher's Choir (choir, chorus), Johannes Wildner (conductor)
composed by Wolfgang Amadeus Mozart

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Gloria: Classical Music for Reflection and Meditation (1999) more music like this

performed by Andreas Martin (vocals), Anna di Mauro (vocals), Camerata Cassovia, Janos Sebestyen (organ), John Dickie (vocals), Priti Coles (vocals), Rose Consort of Viols, Scholars Baroque Ensemble, Capella Istropolitana (choir, chorus)
composed by Antonio Vivaldi, Gabriel Fauré, George Frederick Handel, Giovanni Pierluigi da Palestrina, Guillaume Dufay, Johann Sebastian Bach, Orlande de Lassus, Orlando Gibbons, Thomas Tallis, Thomas Weelkes, Tomás Luis de Victoria, William Byrd

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Mozart: Arias and Duets (1991) more music like this

performed by Andreas Martin (baritone), Donna Robin (soprano), Joanna Borowska (soprano), John Dickie (tenor), Peter Mikulás (vocals), Priti Coles (vocals), Rohangiz Yachmi (mezzo-soprano), Johannes Wildner (conductor)
composed by Wolfgang Amadeus Mozart

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Credo (2000) more music like this

performed by Andreas Martin (vocals), Anna di Mauro (vocals), Ars Nova Vocal Ensemble, Gabriele Sima (contralto), John Dickie (vocals), Kurt Azesberger (tenor), Laurence Cummings (organ), Oxford Camerata, Oxford Schola Cantorum, Priti Coles (vocals)
composed by Adrian Willaert, Filipe de Magalhaes, Franz Joseph Haydn, Giovanni Pierluigi da Palestrina, Johann Pachelbel, Johannes Ockeghem, Orlande de Lassus, Thomas Tallis, Thomas Tomkins, Wolfgang Amadeus Mozart

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Mozart: Cosě Fan Tutte (Highlights) (1995) more music like this

performed by Andreas Martin (baritone), Joanna Borowska (soprano), John Dickie (tenor), Milada Synkova (harpsichord), Peter Mikulás (bass), Priti Coles (soprano), Rohangiz Yachmi (mezzo-soprano), Slovak Philharmonic Choir (choir, chorus), Capella Istropolitana
composed by Wolfgang Amadeus Mozart

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Benedictus (1999) more music like this

performed by Andreas Martin (vocals), Anna di Mauro (vocals), Camerata Cassovia, Capella Istropolitana, Christian Hommel (oboe), Eduard Tumagian (vocals), Elena Filipova (vocals), Ensemble Bourrasque, Gloria Scalchi (vocals), Hungarian Radio Chorus
composed by Francesco Manfredini, George Frederick Handel, Giuseppe Verdi, Gregorio Allegri, Guillaume Dufay, Johann Sebastian Bach, Johannes Brahms, Marc-Antoine Charpentier, Michael Praetorius, Thomas Tallis, Wolfgang Amadeus Mozart

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Mozart: Cosě fan tutte (1990) more music like this

performed by Andreas Martin (baritone), Joanna Borowska (mezzo-soprano), John Dickie (tenor), Milada Synkova (continuo), Milada Synkova (harpsichord), Peter Mikulás (bass), Priti Coles (soprano), Rohangiz Yachmi (soprano), Slovak Philharmonic Choir (choir, chorus)
composed by Wolfgang Amadeus Mozart

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Cinema Classics 2007 (2007) more music like this

performed by Aradia Ensemble, Bernd Glemser (piano), Concentus Hungaricus, Elena Filipova (soprano), Idil Biret (piano), Igor Morozov (baritone), Jana Valaskova (soprano), Janez Lotric (tenor), Jenö Jandó (piano), Priti Coles (soprano), Thomas Jr. Harper (tenor)
composed by Antonin Dvorák, Edvard Grieg, Frédéric Chopin, George Frederick Handel, Georges Bizet, Giuseppe Verdi, Jean-Philippe Rameau, Pyotr Il'yich Tchaikovsky, Sergey Rachmaninov, Wolfgang Amadeus Mozart

Borrowing classical music for film scores is an old practice that always seems to have utility and is still quite common, if the titles listed on Naxos' Cinema Classics 2007 give any indication. This roundup of classical themes featured in theatrical releases from late 2005 and 2006 points to an abiding need among filmmakers and soundtrack ...

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