The Best Choral Album in the World...Ever! (1999) more music like this

performed by Charles Brett (alto), Daniel Sladden (bass), David Bell (organ), David Corkhill (percussion), Eiddwen Harrhy (soprano), Felicity Lott (soprano), Gerald Finley (cantor), Heather Harper (soprano), Ian Partridge (tenor), James Morris (bass)
composed by Alexander Borodin, Amadeo Vives, Antonio Vivaldi, Carl Orff, César Franck, Edward Elgar, Felix Mendelssohn, Francis Poulenc, Franz Joseph Haydn, Gabriel Fauré, George Frederick Handel, Giuseppe Verdi, Gregorian Chant, Gregorio Allegri, Hector Berlioz

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Bernstein & Copland from King's (1991) more music like this

performed by Ameral Gunson (mezzo-soprano), Daniel Sladden (bass), David Corkhill (percussion), John Bowley (tenor), Leo Hussain (treble), Michael Pearce (treble), Michael Skinner (percussion), Nigel Bates (percussion), Peter Barley (organ), Peter Winn (alto)
composed by Aaron Copland, Charles Ives, Leonard Bernstein, Libby Larsen, William Schuman

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Classical Legends (2002) more music like this

performed by Academy of St. Martin-in-the-Fields, Angela Gheorghiu (soprano), Cécile Ousset (piano), Delphine Haidan (soprano), Elisabeth Schwarzkopf (soprano), Fritz Helmis (harp), Itzhak Perlman (violin), Izzy (soprano), Jacqueline du Pré (cello)
composed by Antonio Vivaldi, Edward Elgar, Ennio Morricone, Franz Schubert, Frédéric Chopin, Gabriel Fauré, George Frederick Handel, George Gershwin, Georges Bizet, Giacomo Puccini, Giuseppe Verdi, Gustav Holst, Gustav Mahler, Johann Nepomuk Hummel, Johannes Brahms

Classical Legends is an EMI two-disc set that provides a way for non-expert listeners to get a grip on classical music and opera from the artist's, rather than a composer or genre-driven perspective. Its one-track-per-artist program is weighted more to the classical end of the scale as opposed to vocal music, and also included are some performers ...

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A Hymn to the Virgin (2000) more music like this

performed by Peter Barley (organ), Canticum (choir, chorus), Mark Forkgen (conductor)
composed by Andrzej Panufnik, Anton Bruckner, Benjamin Britten, Francis Poulenc, Hans Leo Hassler, Herbert Howells, Igor Stravinsky, Robert Parsons, Sergey Rachmaninov, Tomás Luis de Victoria

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Benjamin Britten: A Ceremony of Carols; Rejoice in the Lamb; A Boy was Born (1991) more music like this

performed by Daniel Sladden (bass), James Crookes (alto), John McFadzean (treble), Marcus Brody (treble), Michael Pearce (treble), Peter Barley (organ), Peter Winn (treble), Rachel Masters (harp), Rupert Johnston (treble), Simon Spencer Williams (sax)
composed by Benjamin Britten

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Bernstein: Chichester Psalms; Copland: In the Beginning (1991) more music like this

performed by Ameral Gunson (mezzo-soprano), Daniel Sladden (bass), David Corkhill (percussion), John Bowley (tenor), Leo Hussain (treble), Michael Pearce (treble), Michael Skinner (percussion), Nigel Bates (percussion), Peter Barley (organ), Peter Winn (alto)
composed by Aaron Copland, Charles Ives, Leonard Bernstein, Libby Larsen, William Schuman

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Gabriel Fauré: Requiem; Maurice Duruflé: Requiem (1989) more music like this

performed by Ann Murray (mezzo-soprano), Charles Tunnell (cello), English Chamber Orchestra (chamber ensemble), Jose-Luis Garcia (violin), Olaf Bär (baritone), Peter Barley (organ), Richard Eteson (treble), King's College Choir, Cambridge, Stephen Cleobury (conductor)
composed by Gabriel Fauré, Maurice Duruflé

In opposition to the nineteenth century's taste for grand, operatic requiems as exemplified by the works of Berlioz and Verdi, Gabriel Fauré and Maurice Duruflé both sought to make their requiems more appropriate for liturgical use and to avoid drama as much as possible. Neither setting makes use of the terrifying Dies Irae, and references to the ...

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