The most notable feature of Penderecki's Symphony No. 7, "Seven Gates of Jerusalem," is that it sounds more like an oratorio than a symphony; in fact, one movement is set for a cappella chorus. It is not surprising, then, to discover that Penderecki wrote the piece in 1996 as an oratorio in celebration of Jerusalem's third millennium and didn't ...
René Jacobs is an acknowledged master of informed period performance practice, and he turns his considerable arsenal of research, insight, and experience to Don Giovanni, which he maintains has become so mired in misguided nineteenth century interpretive traditions that most modern performances badly misrepresent Mozart's intentions. He points out ...
René Jacobs is an acknowledged master of informed period performance practice, and he turns his considerable arsenal of research, insight, and experience to Don Giovanni, which he maintains has become so mired in misguided nineteenth century interpretive traditions that most modern performances badly misrepresent Mozart's intentions. He points out ...
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