Start with the Con moto that opens the Fourth Symphony of Edmund Rubbra. If its combination of stillness and anticipation, strength and tenderness, and clarity and mystery don't get you, then you might as well forget Rubbra. But if it does -- and for anyone who's ever been touched by the music of Vaughan Williams or Elgar, it probably will -- this ...
A rather ungainly coupling of two previously issued sets of performances, this 2008 Lyrita disc joins Norman del Mar and the English Chamber Orchestra's 1970 recording of Nicholas Maw's Sinfonia with the Philip Jones Brass Ensemble's 1974 recording of three British brass works: John Addison's Divertimento and John Gardiner's Theme and Variations, ...
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