Is it subtle? No. Is it nuanced? No. Is it sweet and tender or demur and lovely? No, no, no, and no. Why should it be? How could it be? After all, the music on this disc is Copland's rough, tough, and ready-for-action Billy the Kid and Rodeo Suites coupled with Grofé's big, bold, and exceedingly blunt Grand Canyon Suite: why should it be anything ...
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