Mozart: Clarinet and Oboe Concertos (1998) more music like this

performed by Antony Pay (clarinet), Michel Piguet (oboe), Academy of Ancient Music, Christopher Hogwood (conductor)
composed by Wolfgang Amadeus Mozart

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Vivaldi Adagios (1998) more music like this

performed by Alan Loveday (violin), Alison Bury (violin), Anner Bylsma (cello), Anthony Pleeth (cello), Carmel Kaine (violin), Catherine Mackintosh (violin), Celia Nicklin (oboe), Christopher Hirons (violin), Eduardo Fernandez (guitar), Igor Kipnis (harpsichord)
composed by Antonio Vivaldi

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The Original Sound-Volume 2 (1994) more music like this

performed by Catherine Mackintosh (violin), Christophe Coin (cello), Christopher Hogwood (harpsichord), Claire Shanks (oboe d'amore), Frances Kelly (harp), Lisa Beznosiuk (flute), Michel Piguet (recorder), Monica Huggett (viola d'amore), Sabine Weill (recorder)
composed by Antonio Vivaldi, Christoph Willibald Gluck, Franz Joseph Haydn, Georg Philipp Telemann, George Frederick Handel, Jean-Féry Rebel, Johann Sebastian Bach, Ludwig van Beethoven, Thomas Arne, William Boyce, Wolfgang Amadeus Mozart

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Handel: Aci, Galatea e Polifemo more music like this

performed by Carolyn Watkinson (vocals), Charles Medlam (cello), David Thomas (vocals), Emma Kirkby (vocals), John Toll (harpsichord), London Baroque, Michel Piguet (recorder)
composed by George Frederick Handel

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Vivaldi: Concertos Opp. 3, 4, 8 & 9 [Box Set] (2006) more music like this

performed by Alison Bury (violin), Catherine Mackintosh (violin), Christopher Hirons (violin), Elizabeth Wilcock (violin), John Holloway (violin), Michel Piguet (oboe), Monica Huggett (violin), Simon Standage (violin), Susan Sheppard (cello), Academy of Ancient Music
composed by Antonio Vivaldi

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Vivaldi Adagios (2008) more music like this

performed by Academy of Ancient Music, Alan Loveday (violin), Alison Bury (violin), Anner Bylsma (cello), Anthony Pleeth (cello), Carmel Kaine (violin), Catherine Mackintosh (violin), Celia Nicklin (oboe), Christopher Hirons (violin), Christopher Hogwood (harpsichord)
composed by Antonio Vivaldi

Extracting only the slow movements from Vivaldi's concertos is an odd idea, for they are carefully calibrated to their surroundings. Vivaldi's is an art of maximum contrasts within fairly fixed forms, and the slow movements contribute to that, with gently rhythmic tunes or even near-stasis juxtaposed with the programmatic effects or spectacular ...

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