Stefano Landi, who was Monteverdi's junior by about 20 years, was active in Rome, whereas Monteverdi was based in Venice. Landi spent two formative years in Venice, though, and absorbed the progressive musical ideas of Monteverdi and other seconda prattica composers. That contact would explain why Il Sant'Alessio (1632) sounds like a Monteverdi ...
Stefano Landi, who was Monteverdi's junior by about 20 years, was active in Rome, whereas Monteverdi was based in Venice. Landi spent two formative years in Venice, though, and absorbed the progressive musical ideas of Monteverdi and other seconda prattica composers. That contact would explain why Il Sant'Alessio (1632) sounds like a Monteverdi ...
The Vivaldian violin concerto seems such a classically simple thing with its chunky tutti sharply differentiated from spectacular solos. And Vivaldi wrote so fluently, wrote so many hundreds of works, that it's easy to assume he had solid preexisting models into which he needed only to pour his own inspiration. Listeners who have investigated the ...
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