Russian Opera: Masterworks [Box Set] (2007) more music like this

performed by Alexander Baturin (vocals), Alexander Pirogov (vocals), Alexandra Turtshina (vocals), Alexei Ghelieva (vocals), Andrei Ivanov (vocals), Andrei Sokolov (vocals), Bronislava Zlatogorova (vocals), Eugene Belov (vocals), Evgeniya Smolenskaya (vocals)
composed by Alexander Borodin, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Pyotr Il'yich Tchaikovsky

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Stravinsky: Les Noces; Mass; Cantata [Hybrid SACD] more music like this

performed by Carolyn Sampson (soprano), Clemens Heidrich (bass), Jan Kobow (tenor), Joachim Buhrmann (tenor), Maxim Mikhailov (bass), MusikFabrik, Stephanie Petitlaurent (soprano), Susan Parry (alto), Susanne Langner (alto), Volker Arndt (tenor)
composed by Igor Stravinsky

Frankly, my dear, it's too pretty -- and while Stravinsky's Les Noces is many things, it's not pretty. It's belligerently uncompromising in its abrasive choral writing, it's aggressively brilliant in its glittering score for four pianos and percussion, and it's powerfully propulsive in its driving polyrhythms. But it's not pretty -- and this ...

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Gounod: Roméo et Juliette (2003) more music like this

performed by Antonina Nezhdanova (soprano), G. Pasechnik (tenor), Ivan Burlak (bass), Ivan Kozlovsky (tenor), Maxim Mikhailov (bass), Natalia Sokolova (soprano), Nikolai Golovanov (piano), Nina Ostrumova (mezzo-soprano), Yelizaveta Vladimirovna Shumskaya (soprano)
composed by Charles Gounod

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Lebendige Vergangenheit: Maxim Mikhailov more music like this

performed by Ivan Kozlovsky (vocals), Maxim Mikhailov (vocals), Naum Walter (piano), Nikolai Korolykov (piano)
composed by Alexander Borodin, Alexander Sergeyevich Dargomizhsky, Anonymous, Charles Gounod, Mikhail Glinka, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Pyotr Il'yich Tchaikovsky, Russian Traditional, Viktor Kalinnikov, Vilboa, Wolfgang Amadeus Mozart

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Mussorgsky: Boris Godunov more music like this

performed by Alexander Pirogov (vocals), Maria Maksakova (vocals), Mark Reizen (vocals), Maxim Mikhailov (vocals), Nikhander Khanaev (vocals), Bolshoi Theater Orchestra, Nikolai Golovanov (conductor)
composed by Modest Mussorgsky

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Tchaikovsky: Eugene Onegin (2002) more music like this

performed by Anatoli Mineev (vocals), Elisaveta Antonova (vocals), Ivan Kozlovsky (vocals), Liudmila Rudnitskaya (vocals), Maxim Mikhailov (vocals), Panteleimon Nortzov (vocals), Sergei Ostroumov (vocals), Vera Makarova (vocals), Yelena Kruglikova (vocals)
composed by Pyotr Il'yich Tchaikovsky

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Ravel, Debussy, Massenet and others (1990) more music like this

performed by Chantal Mathieu (harp), Jörg Demus (piano), Maxim Mikhailov (violin)
composed by Benjamin Godard, Claude Debussy, Franz Schmidt, Georges Bizet, Giacomo Meyerbeer, Jules Massenet, Maurice Ravel

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Tchaikovsky: Hamlet Op. 67a; Romeo and Juliet [Hybrid SACD] (2008) more music like this

performed by Maxim Mikhailov (bass), Tatiana Monogarova (soprano), Russian National Orchestra, Vladimir Jurowski (conductor)
composed by Pyotr Il'yich Tchaikovsky

Tchaikovsky's rarely recorded overture and incidental music for Hamlet, and his even more rarely recorded original version of the Fantasy Overture Romeo and Juliet, are hardly the crown jewels of his output. The former has some fine music in it -- the blustery overture and the fetching Allegro simplice Entr'acte in particular -- but most of it, ...

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Mussorgsky: Boris Godunov (2002) more music like this

performed by Alexander Pirogov (vocals), Alexandra Turtshina (vocals), Georgei Nelepp (vocals), Ivan Kozlovsky (vocals), Maria Maksakova (vocals), Maxim Mikhailov (vocals), Nikhander Khanaev (vocals), Sergei Krasovsky (vocals), Vassily Lubenzov (vocals)
composed by Modest Mussorgsky

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Sergei Prokofiev: Betrothal in a Monastery (2008) more music like this

performed by Alan Opie (baritone), Alexandra Durseneva (mezzo-soprano), Andrey Breus (baritone), Claire Ormshaw (soprano), Jonathan Viera (baritone), Lyubov Petrova (soprano), Maxim Mikhailov (bass), Nino Surguladze (mezzo-soprano), Pavel Baransky (baritone)
composed by Sergey Prokofiev

Prokofiev wrote Betrothal in a Monastery in less than three months, in the midst of the turmoil of 1940. The opera is similar in some ways to his only other comedy, Love for Three Oranges, written in 1919. They are based on nearly contemporaneous late eighteenth century plays with plots that are patently absurd, for which Prokofiev provided music ...

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Viennese Festival (1990) more music like this

performed by Hans-Georg Arlt (violin), Maxim Mikhailov (violin)
composed by Emil Nikolaus von Reznicek, Franz Lehár, Franz Schubert, Franz von Suppé, Fritz Kreisler, Johann Strauss I, Johann Strauss II, Vittorio Monti

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