J. C. Bach: Salve Regina more music like this

performed by Emma Kirkby (soprano), Markus Schafer (tenor), Orfeo Baroque Orchestra, Michi Gaigg (conductor)
composed by Johann Christian Bach

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Reinhard Keiser: Croesus more music like this

performed by Dorothea Röschmann (vocals), Johannes Mannov (vocals), Klaus Hager (vocals), Kwangchul Youn (vocals), Markus Schafer (vocals), Roman Trekel (vocals), Salome Haller (vocals), Werner Güra (vocals), Berlin RIAS-Chamber Choir (choir, chorus)
composed by Reinhard Keiser

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J. C. Bach: La Clemenza di Scipione more music like this

performed by Christine Wolff (soprano), Hans-Jorg Mammel (tenor), Jorg Waschinski (soprano), Linda Perillo (soprano), Markus Schafer (tenor), Rheinische Kantorei (choir, chorus), Das Kleine Konzert, Hermann Max (conductor)
composed by Johann Christian Bach

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Dvorak: Král a Uhlír (2006) more music like this

performed by Dalibor Jenis (baritone), Lívia Ághová (soprano), Markus Schafer (tenor), Michal Lehotsky (tenor), Michelle Breedt (mezzo-soprano), Peter Mikulás (bass), Prague Chamber Choir (choir, chorus), WDR Rundfunkchor Köln (choir, chorus)
composed by Antonin Dvorák

How many recordings of Dvorák's Král a Uhlír -- King and Charcoal Burner -- does anyone need? How many could anyone have? The work's only previous digital recording was a serviceable if uninspiring and drastically cut reading with Josef Chaloupka leading the Prague National Theatre Orchestra released in 1989 by Supraphon, and except among the ...

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Bach: St Matthew Passion (2006) more music like this

performed by Claudia Couwenbergh (soprano), Dominique Engler (soprano), Hanno Muller-Brachmann (bass), Julian Schulzki (bass), Locky Chung (bass), Lothar Blum (tenor), Marianne Beate Kielland (alto), Markus Schafer (tenor), Nico van der Meel (tenor)
composed by Johann Sebastian Bach

When this recording of Bach's St. Matthew Passion was made in May 2005, Helmut Müller-Brühl had been leading the Cologne Chamber Orchestra for 41 years. He led them first on modern instruments from 1964 until 1976, then switched them to period instruments, then switched them back again to modern instruments in 1987. The result is not schizophrenic ...

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Dvorák: Requiem, Op. 89; Brahms: Vier ernste Gesänge, Op. 121 (2006) more music like this

performed by Klaus Mertens (bass), Markus Schafer (tenor), Mechthild Bach (soprano), Stefanie Irányi (alto), Kantorei der Schlosskirche Weilberg (choir, chorus), Capella Weilburgensis, Doris Hagel (conductor)
composed by Antonin Dvorák, Johannes Brahms

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Bach: Mass in B minor (2005) more music like this

performed by Ann Hallenberg (mezzo-soprano), Hanno Muller-Brachmann (bass baritone), Marianne Beate Kielland (mezzo-soprano), Markus Schafer (tenor), Sunhae Im (soprano), Dresden Chamber Choir (choir, chorus), Cologne Chamber Orchestra, Helmut Müller-Brühl (conductor)
composed by Johann Sebastian Bach

The Cologne Chamber Orchestra, according to the liner notes of this album, plays "according to the principles of historical performance-practice on modern instruments and so can meet the needs of modern concert halls." This is nonsense, sloppily expressed (do concert halls have needs? desires maybe?). Performances by historical-instrument groups ...

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Joseph Eybler: Die vier letzten Dinge more music like this

performed by Elisabeth Scholl (soprano), Markus Schafer (tenor), Peter Kooij (bass), Rheinische Kantorei (choir, chorus), Das Kleine Konzert, Hermann Max (conductor)
composed by Joseph Leopold Eybler

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Michael Haydn: Requiem; Symphonies P9 & P16 (2004) more music like this

performed by Johannette Zomer (soprano), Klaus Mertens (bass), Markus Schafer (tenor), Swiss Chamber Choir (choir, chorus), Lausanne Chamber Orchestra
composed by Johann Michael Haydn

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Johann Gottlieb Naumann: Betulia Liberata more music like this

performed by Hans-Jorg Mammel (tenor), Harry van der Kamp (bass), Markus Schafer (tenor), Nele Gramß (soprano), Salome Haller (soprano), Rheinische Kantorei (choir, chorus), Das Kleine Konzert, Hermann Max (conductor)
composed by Johann Gottlieb Naumann

Johann Gottlieb Naumann's oratorio Betulia Liberata has an interesting and unique history. Pietro Metastasio's 1734 libretto, based on the Biblical book of Judith, was already something of a golden oldie by the time Prince Elector Friedrich August III of Saxony requested that Naumann set it for the Holy Saturday of 1796. Naumann was in poor health ...

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Haydn: Armida (2000) more music like this

performed by Cecilia Bartoli (vocals), Christoph Prégardien (vocals), Concentus Musicus Wien, Markus Schafer (vocals), Oliver Widmer (vocals), Patricia Petibon (vocals), Scot Weir (vocals), Nikolaus Harnoncourt (conductor)
composed by Franz Joseph Haydn

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Bach: Mass in B minor [Hybrid SACD] (2005) more music like this

performed by Ann Hallenberg (alto), Hanno Muller-Brachmann (bass), Marianne Beate Kielland (soprano), Markus Schafer (tenor), Sunhae Im (soprano), Dresden Chamber Choir (choir, chorus), Cologne Chamber Orchestra, Helmut Müller-Brühl (conductor)
composed by Johann Sebastian Bach

The Cologne Chamber Orchestra, according to the liner notes of this album, plays "according to the principles of historical performance-practice on modern instruments and so can meet the needs of modern concert halls." This is nonsense, sloppily expressed (do concert halls have needs? desires maybe?). Performances by historical-instrument groups ...

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Mozart: Cosě fan tutte more music like this

performed by Andreas Glatt (recorder), Hubert Claessens (vocals), Markus Schafer (vocals), Monica Groop (vocals), Nancy Argenta (vocals), Per Vollestad (vocals), Soile Isokoski (vocals), La Petite Bande (choir, chorus), La Petite Bande, Sigiswald Kuijken (conductor)
composed by Wolfgang Amadeus Mozart

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Beethoven's Adagios (1998) more music like this

performed by Audrey Michael (soprano), Berliner Solisten, Gidon Kremer (violin), Jean-Bernard Pommier (piano), Lilia Bizimeche-Eisinger (mezzo-soprano), Malcolm Frager (fortepiano), Maria-Joăo Pires (piano), Markus Schafer (tenor), Michel Brodard (bass)
composed by Ludwig van Beethoven

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Bach, Telemann, Hoffmann: Sacred Cantatas for Alto & Tenor (2006) more music like this

performed by Ariadne Daskalakis (violin), Christian Hommel (oboe d'amore), Christian Hommel (oboe), Daniel Rothert (recorder), Gerhard Anders (cello), Harald Hoeren (organ), Ingo Nelken (flute), Marianne Beate Kielland (alto), Markus Schafer (tenor)
composed by Georg Philipp Telemann, Johann Sebastian Bach, Melchior Hoffmann

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Bach: Matthaüs-Passion (2001) more music like this

performed by Bernarda Fink (contralto), Christine Schäfer (soprano), Christoph Prégardien (tenor), Dietrich Henschel (bass), Dorothea Röschmann (soprano), Elisabeth von Magnus (contralto), Markus Schafer (tenor), Matthias Goerne (bass), Michael Schade (tenor)
composed by Johann Sebastian Bach

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Mozart: Il Re Pastore (1996) more music like this

performed by Ann Murray (mezzo-soprano), Eva Mei (soprano), Inga Nielsen (soprano), Markus Schafer (tenor), Roberto Sacca (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
composed by Wolfgang Amadeus Mozart

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Johann Christian Bach: Gioas Rč di Giuda more music like this

performed by Kai Wessel (alto), Markus Schafer (tenor), Mechthild Georg (mezzo-soprano), Monika Frimmer (soprano), Tom Sol (bass), Ulrike Staude (soprano), Rheinische Kantorei (choir, chorus), Das Kleine Konzert, Hermann Max (conductor)
composed by Johann Christian Bach

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Mon C?ur Charmé (2004) more music like this

performed by Ingrid Schmithusen (soprano), Markus Schafer (tenor), Simone Eckert (treble viol), Ulrich Wedemeier (baroque guitar)
composed by Anonymous, French, Georg Philipp Telemann, Thomas Marc

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Bach: Mass in B minor (1992) more music like this

performed by Faridah Schäfer-Subrata (soprano), Frantisek Kyml (oboe d'amore), Friderike Wagner (soprano), Hartmut Elbert (bass), Jiri Sedivy (trumpet), Marina Koppelstetter (contralto), Markus Schafer (tenor), Peter la Garde (trumpet), Peter Macecek (violin)
composed by Johann Sebastian Bach

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Johann Hoven: Die Heimkehr, Vol. 3 more music like this

performed by Christian de Bruyne (piano), Markus Schafer (tenor)
composed by Johann Vesque von Püttlingen

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Bach: Magnificat; Singet dem Herrn ein neues Lied; Komm, Jesu, komm (1999) more music like this

performed by Friedemann Winklhofer (organ), Klaus Mertens (bass), Markus Schafer (tenor), Rebecca Martin (mezzo-soprano), Sibylla Rubens (soprano), Windsbacher Knabenchor (choir, chorus), Prague Chamber Orchestra, Karl-Friedrich Beringer (conductor)
composed by Johann Sebastian Bach

Called the finest children's choir in Middle Franconia, the Windsbacher Knabenchor under longtime music director Karl-Friedrich Beringer proves itself fit to stand with the better national and even international children's choirs on this 1999 Rondeau disc. Coupling three motets by Bach -- Singt dem Herrn ein neues Lied; Komm, Jesu, komm; and Jesu, ...

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Schutz: Kleine Geistliche Konzert, SWV 305-324 more music like this

performed by Alan Paddle (tenor), Andreas Schulist (tenor), Bernhard Schmidt (alto), Christian Fliegner (soprano), Christian M. Immler (bass), Clemens Alcantara (alto), Hendrike ter Brugge (cello), Markus Durst (soprano), Markus Schafer (tenor)
composed by Heinrich Schütz

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Mozart: Der Messias (2007) more music like this

performed by Marek Rzepka (bass), Margot Oitzinger (alto), Markus Schafer (tenor), Marlis Petersen (soprano), Maulbronner Kammerchor (choir, chorus), Hannoversche Hofkapelle, Jürgen Budday (conductor)
composed by Wolfgang Amadeus Mozart

Mozart's arrangement of Handel's Messiah, made in 1789, relates to his involvement in the circle of musical connoisseurs surrounding the Baron Gottfried van Swieten, Viennese nobleman and aficionado of the monuments of Baroque music. It is, as the booklet here aptly puts it, a "cover version" (the German participle, charmingly enough, is "gecovert ...

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C.P.E. Bach: Kantaten für Hamburg (2002) more music like this

performed by Klaus Mertens (bass), Lydia Vierlinger (alto), Markus Schafer (tenor), Simone Kermes (soprano), Vienna Chamber Choir (choir, chorus), Wiener Akademie Orchester, Martin Haselböck (conductor)
composed by Carl Philipp Emanuel Bach

These discs feature not one but two world premieres of massive and monumental cantatas by J.S. Bach's second-born son, C.P.E. Both were composed while the composer was music director of the free city of Hamburg -- Mache Dich Auf, Werde Licht in 1777 as an Introductory Music for the induction of a new pastor and Dankt Dem Herrn in 1783 as a Hymn of ...

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