Your search: Classical Music » Artist: Marin Alsop
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Corigliano: The Red Violin Concerto; Violin Sonata
(2007)
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performed by
Jeremy Denk (piano), Joshua Bell (violin), Baltimore Symphony Orchestra, Marin Alsop (conductor)
composed by
John Corigliano
The title of the Red Violin Concerto by John Corigliano may suggest to some listeners that they're getting an expanded version of the composer's music from the successful film, which grew from a recurring motif in the film soundtrack itself to the closely related The Red Violin: Chaconne for Violin and Orchestra. This is not exactly true; the last ...
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John Adams: Shaker Loops; The Wound-Dresser; Short Ride in a Fast Machine
(2004)
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performed by
Nathan Gunn (baritone), Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
John Adams
Like Steve Reich and Philip Glass, John Adams has developed minimalism into a more expressive and versatile language than it promised in the 1970s, when pattern music was at its height but also at its most rigorous and severe. Judging from the works on this 2004 Naxos release, Adams has progressed from the limitations of static repetition, ...
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Glass: Heroes Symphony; The Light
(2007)
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performed by
Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Philip Glass
The Heroes Symphony of Philip Glass is one of two symphonies he wrote based on albums by David Bowie (the other is the Low Symphony). This recording by Marin Alsop, one of Britain's (and now America's) most talked-about conductors, suggests that the idea has been successful enough to move beyond the usual Glass orbit and into conventional ...
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Orff: Carmina Burana
(2007)
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performed by
Bournemouth Symphony Youth Chorus, Claire Rutter (soprano), Highcliffe Junior Choir, Markus Eiche (baritone), Tom Randle (tenor), Bournemouth Symphony Chorus (choir, chorus), Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Carl Orff
One of the most popular of modern choral works, Carl Orff's Carmina Burana has found its way into many collections just on the strength of its foreboding opening, "O Fortuna." Because this work is well represented in all the major labels' catalogs, one has a wide array of performances to choose from; while several are excellent, it is difficult to ...
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Brahms: Symphony No. 3: Variations on a Theme by Haydn
(2007)
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performed by
London Philharmonic Orchestra, Marin Alsop (conductor)
composed by
Johannes Brahms
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Michael Torke: Rapture; An American Abroad; Jasper
(2002)
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performed by
Colin Currie (percussion), Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Michael Torke
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Music of Edward Joseph Collins, Vol. 6
(2004)
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performed by
Henry Waddington (bass), Jane Irwin (mezzo-soprano), Jeni Bern (soprano), Peter Auty (tenor), Scottish National Chorus (choir, chorus), Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Edward Joseph Collins
American composer Edward Joseph Collins is having his entire work list recorded in 10 volumes by Albany Records, of which this is the sixth volume. It contains an ambitious and very assured choral orchestral work, Hymn to the Earth (1929), which owes a debt to Gustav Mahler's Das Lied von der Erde, his Eighth Symphony, and at least betrays a ...
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Christopher Rouse
(1997)
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performed by
Joseph Alessi (trombone), Colorado Symphony Orchestra, Marin Alsop (conductor)
composed by
Christopher Rouse
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Takemitsu: A Flock Descends into the Pentagonal Garden
(2006)
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performed by
Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Toru Takemitsu
The music of composer Toru Takemitsu (1930-1996) is perhaps the perfect antidote for today's overstimulated and overstressed society: endlessly circular wisps of melody, gentle string harmonics, and an intelligently slow and steady pace. Most of his fellow Japanese contemporaries, including Akira Ifukube and Yuzo Toyama, wrote in a style much more ...
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Roy Harris: Symphony No. 3; Symphony No. 4 'Folk Song Symphony'
(2006)
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performed by
Colorado Symphony Chorus (choir, chorus), Colorado Symphony Orchestra, Marin Alsop (conductor)
composed by
Roy Harris
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Concordia Chamber Ensemble performs works by John Carbon, Peter Homans & William Thomas McKinley
(2005)
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performed by
Claire Chan (violin), Concordia Chamber Ensemble, Mary Rowell (violin), Sirius String Quartet, Marin Alsop (conductor)
composed by
John Carbon, Peter Homans, William Thomas McKinley
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Michael Hersch: Symphonies Nos. 1 & 2
(2006)
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performed by
Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Michael Hersch
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Mark-Anthony Turnage: Twice Through the Heart; Hidden Love Song; The Torn Fields
(2008)
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performed by
Gerald Finley (baritone), Martin Robertson (sax), Sarah Connolly (mezzo-soprano), London Philharmonic Orchestra, Marin Alsop (conductor)
composed by
Mark-Anthony Turnage
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Brahms: Symphony No. 4; Hungarian Dances Nos. 2 & 4-9
(2007)
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performed by
London Philharmonic Orchestra, Marin Alsop (conductor)
composed by
Johannes Brahms
Reviews of Marin Alsop's recordings of Brahms' symphonies for Naxos have been mixed, partly because of her variable tempos and occasionally lax handling of important features in the music, but also for the London Philharmonic Orchestra's routine playing and Naxos' dull sound quality, all factors that make some critics recommend past classics that ...
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Bartók: Bluebeard's Castle
(2007)
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performed by
Andrea Meláth (mezzo-soprano), Gustáv Belácek (bass), Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Béla Bartók
This Naxos disc may or may not contain the greatest recording of Bartók's Bluebeard's Castle ever made, but while it's playing, you'll wholeheartedly believe that it is. Naturally, in a one-act opera featuring only two singers, the quality of the soloists is critical, and in bass Gustáv Belácek and soprano Andrea Meláth, this recording has two ...
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Bartók: The Wooden Prince
(2008)
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performed by
Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Béla Bartók
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Dvorák: Symphony No. 9 'From the New World'
(2008)
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performed by
Baltimore Symphony Orchestra, Marin Alsop (conductor)
composed by
Antonin Dvorák
Coming as it does after disappointingly turgid readings of Brahms' four symphonies with the London Philharmonic, Marin Alsop's powerful recording of Dvorák's Ninth with the Baltimore Symphony is a surprise. Recorded live in Joseph Meyerhoff Symphony Hall in Baltimore, Alsop's Ninth is robust and energetic, with muscular rhythms and stalwart tempos ...
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Barber: School for Scandal/Symphonies 1 & 2
(2000)
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performed by
Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Samuel Barber
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Tower: Concerto; Duets
(1999)
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performed by
Colorado Symphony Orchestra, Marin Alsop (conductor)
composed by
Joan Tower
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Edward Collins: Mardi Gras; Concertpiece in A minor, etc.
(1997)
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performed by
Leslie Stifelman (piano), Concordia Orchestra, Marin Alsop (conductor)
composed by
Edward Joseph Collins
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Tchaikovsky: Symphony No. 4
(2002)
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performed by
Colorado Symphony Orchestra, Marin Alsop (conductor)
composed by
Pyotr Il'yich Tchaikovsky
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Samuel Barber: Piano Concerto; Medea's Meditation and Dance of Vengeance
(2001)
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performed by
Stephen Prutsman (piano), Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Samuel Barber
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Bernstein: Chichester Psalms
(2003)
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performed by
Elizabeth Franklin-Kitchen (soprano), Jeremy Budd (tenor), Paul Charrier (bass), Thomas Kelly [iv] [treble] (treble), Victoria Nayler (alto), Bournemouth Symphony Chorus (choir, chorus), Bournemouth Symphony Orchestra, Marin Alsop (conductor)
composed by
Leonard Bernstein
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Barber: Violin Concerto; Music for a Scene from Shelley: Souvenirs
(2001)
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performed by
James Buswell (violin), Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Samuel Barber
While Gil Shaham's interpretation of Barber's violin concerto may have been more soulful, or David Zinman's interpretation of his Music for a Scene From Shelley more dramatic, no one would say that James Buswell's interpretation of the concerto is anything less than heartfelt or that Marin Alsop's interpretation of the Shelley music is anything ...
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Samuel Barber: Orchestral Works, Vol. 2
(2001)
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performed by
Wendy Warner (cello), Royal Scottish National Orchestra, Marin Alsop (conductor)
composed by
Samuel Barber
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