Montsegur: La Tragedie Cathare (1996) more music like this

performed by Angele Laberge (soprano), Angele Laberge (harp), Claire Gignac (recorder), Claire Gignac (contra-alto), Claire Gignac, Eric Mercier (shawm), Eric Mercier (bagpipes), Isabelle Marchand (bowed vielle), Isabelle Marchand (voices), La Nef, Rafik Samman (oud)
composed by Alfonso X (el Sabio), Anonymous, French, Anonymous, Manuscrit du Roi, Beatriz de Dia (aka Comtessa de Dia), Bernart de Ventadorn, Giraut de Bornelh, Guiraut Riquier, Pérotin, Sylvain Bergeron

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Perceval: La quête du Graal (The Quest for the Grail), Vol. 1 (1999) more music like this

performed by Daniel Taylor (counter tenor), La Nef
composed by Sylvain Bergeron

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Oikan Ayns Bethlehem (2005) more music like this

performed by La Nef, Meredith Hall (soprano), Ranald Rankin (speech/speaker/speaking part), Sylvain Bergeron (guitar), Sylvain Bergeron (lute)
composed by Anonymous, English, Anonymous, Scottish, Christmas Traditional, Irish Traditional, Robert Burns, Scottish Traditional, Thomas Ravenscroft, Tommy Coen, Tony O'Connell

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Musiques des Montagnes (2006) more music like this

performed by Ben Grossman (vielle), Ben Grossman (percussion), Ben Grossman (lyre), Ben Grossman (saz), Ben Grossman (hurdygurdy), Claire Gignac (bamboo flute), Claire Gignac (recorder), Claire Gignac (flute), Claire Gignac (bowed piano), Elise Guay (cornemeuse)
composed by Greek Traditional, Mesomedes, Mesut Cemil Bey

One might say that La Nef has been all over the map in its recordings of two decades, ranging from Castile and southern France in the early albums, Music for Joan the Mad (1992), and Montségur: La tragédie cathare (1996), to the Scotland of Robert Burns in My Love is Like a Red, Red Rose (2004), and the music of Greece and the Balkans featured on ...

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Perceval: The Quest for the Grail, Vol. 2 (2001) more music like this

performed by La Nef
composed by Sylvain Bergeron

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Dorian - The First Decade (1998) more music like this

performed by Antonin Kubalek (piano), Baltimore Consort, Carol Thompson (harp), Chatham Baroque, Chris Norman (flute), Custer LaRue (soprano), Doulce Mémoire Ensemble, Ensemble Galilei, Jaime Laredo (violin), Jean Guillou (organ), Julian Gray (guitar)
composed by Adrian Le Roy, Anonymous, Anonymous, French, Carlo Gesualdo, Carlos Chávez, Franz Schubert, Marc-Antoine Charpentier, Modest Mussorgsky, Niccolò Paganini, Nicola Matteis, Oscar Lorenzo Fernândez, Pablo de Sarasate, Robert (ii) Johnson, Robert Schumann

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The Eternal Harp (2001) more music like this

performed by Alex Bigney (harp), Becky Baxter (harp), Carol Thompson (celtic harp), Chatham Baroque, Cheryl Ann Fulton (medieval harp), Chris Norman (flute), Custer LaRue (soprano), Ensemble Alcatraz, Ensemble Galilei, Ensemble Polaris, Kim Robertson (celtic harp)
composed by Alfonso X (el Sabio), Anonymous, Anonymous, Spanish, Bartolomeo Tromboncino, Canadian Traditional, Claudin de Sermisy, Diego Fernández de Huete, Edward Jones, English Traditional, Estonian Traditional, Joan Ambrosio Dalza, Portuguese Traditional

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The Battle of Killiecrankie (2007) more music like this

performed by La Nef, Matthew White (counter tenor), Meredith Hall (soprano)
composed by Alexander Munro, Hamish Moore, James Oswald, Robert Burns, Scottish Traditional, Various Composers

The folk music of Scotland, as well as of other regions whose music has been shaped by the vocabulary of Western concert music, has seen performances that fall along an entire continuum from formal arrangements for voice and piano to pure re-creations of folk practice, with percussion and full-throated singing untouched by classical vocal ...

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