Your search: Classical Music » Artist: Konstantin Krimets
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Glazunov: Orchestral Works, Vol. 2
(1996)
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performed by
Moscow Symphony Orchestra, Konstantin Krimets (conductor)
composed by
Alexander Glazunov
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Russian Futurism, Vol. 3
(1997)
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performed by
Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Alexander Mosolov, Lev Konstantinovich Knipper, Michael Gnesin, Nikolai Roslavets
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Tchaikovsky: Violin Concerto; Pieces for Violin and Piano
(2008)
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performed by
Irina Kandinskaya (piano), Rouben Aharonian (violin), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Pyotr Il'yich Tchaikovsky
The Tchaikovsky Violin Concerto, like the concertos of Beethoven and Brahms, is one of the works that virtually everyone with a recording contract goes about recording at least once. While this is to be expected with such a cornerstone of the repertoire, it also subjects performers to extremely high standards when there are so many alternate ...
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Scriabin: Piano Concerto; Piano Sonata No. 1
(2007)
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performed by
Arkady Sevidov (piano), Olga Sevidova (piano), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Alexander Scriabin
While racy cover art is often just there to catch the buyer's eye, in this case it is truth in advertising. Arte Nova's 2007 release of Arkady Sevidov's 1996 Scriabin recordings captures the lascivious nature of the music perfectly. Though these four early works come years before Scriabin toyed with the idea of publishing his Third Symphony under ...
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Russian Futurism, Vol. 2
(2007)
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performed by
Gleb Karpushkin (horn), Vladimir Gontcharov (trumpet), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Alexander Gedike
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Balakirev and Russian Folksong
(2007)
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performed by
Alton Chan (piano), Joseph Banowetz (piano), Olga Kalugina (soprano), Pavel Kolgatin (tenor), Svetlana Nikolayeva (mezzo-soprano), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Mily Balakirev, Russian Traditional
If Russian composer Mikhail Glinka was the father of Russian nationalism, Mily Balakirev was its St. Peter, evangelizing to fellow apostles Mussorgsky, Rimsky-Korsakov, Borodin, and others and therefore acting as "the rock" whereupon Glinka's church was built. Nevertheless, the Balakirev works that have been available on disc for the most part -- ...
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Tchaikovsky: Violin Concerto Op35; Souvenir d'un lieu cher Op42
(1996)
more music like this
performed by
Aharonian Rouben (violin), Irina Kandinskaya (piano), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Pyotr Il'yich Tchaikovsky
see all copies from $12.19!
new only from $12.19!
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Nikolai Miaskovsky: Cello Concerto; Cello Sonatas 1 & 2
(2006)
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performed by
Andrei Pisarev (piano), Kyril Rodin (cello), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Nikolay Myaskovsky
When what you want is Soviet gloom, go to Shostakovich. When what you want is Soviet monumentality, go to Prokofiev. When what you want is Soviet energy, go to Khachaturian. And when what you want is Soviet bombast, go to Kabalevsky. But when what you want is Soviet melancholy, the composer to go to is Nikolay Myaskovsky. He was melancholy before ...
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Shostakovich: Cello Concertos 1 & 2
(2006)
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performed by
Kyril Rodin (cello), Russian Philharmonic Orchestra, Konstantin Krimets (conductor)
composed by
Dmitry Shostakovich
These are fine but by no means first rate performances of Shostakovich's cello concertos by Russian cellist Kyril Rodin accompanied by Konstantin Krimets. Rodin has a strong tone, an accomplished technique, and an assured interpretative profile, but he's not entirely up to the music. In the First Concerto, Rodin can barrel his way through the ...
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Hovhaness: Concerto for 2 Pianos and Orchestra & Other Works
(2004)
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performed by
Atakan Sari (piano), Martin Berkofsky (piano), Nikolai Zherenkov (violin), Sergei Podobedov (piano), Globalis Symphony Orchestra, Konstantin Krimets (conductor)
composed by
Alan Hovhaness
A composer as prolific as Alan Hovhaness could be expected to compose his share of concertos -- over 30 of his idiosyncratic works bear that designation -- but his use of the form is often outside traditional practice, since he tends to avoid pitting the soloist or soloists against orchestra in a competitive or adversarial role. One might not ...
see all copies from $16.32!
new only from $16.32!
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