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Andrew T. Miller: The Birth of Christ

Andrew T. Miller: The Birth of Christ (2007) more music like this

performed by Amy Bils (soprano), Andrew T. Miller (piano), John B. Cooper (baritone), John McKelvie (oboe), Kelley O'Connor (mezzo-soprano), Liam Neeson, Owen Gilhooly (baritone), Robert Mcpherson (tenor), Robin Tritschler (tenor)
composed by Andrew T. Miller, Spoken Word

Seattle-based composer Andrew T. Miller's cantata The Birth of Christ received its premiere in Dublin in 2006. Its performance was hailed as a landmark event because it brought together Catholic and Protestant choirs. It would be good to report that its musical quality was as significant as its humanitarian achievement, but as a whole, the music ...

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Vaughan Williams: Symphony No. 5; Fantasia on a Theme by Thomas Tallis; Serenade to Music

Vaughan Williams: Symphony No. 5; Fantasia on a Theme by Thomas Tallis; Serenade to Music (2007) more music like this

performed by Cecylia Arzewski (violin), Christopher Rex (cello), David Arenz (violin), Jessica Rivera (soprano), Kelley O'Connor (mezzo-soprano), Nmon Ford (baritone), Reid Harris (viola), Thomas Studebaker (tenor), Atlanta Symphony Chorus (choir, chorus)
composed by Ralph Vaughan Williams, Thomas Tallis

Brilliant programming is here undone by mediocre performances. Starting with Thomas Tallis' brief a cappella chorus "Why Fum'th in Fight" to lead into Ralph Vaughan Williams' ecstatic string orchestra Fantasia on a Theme by Thomas Tallis based on "Why Fum'th" was a brilliant idea. For the first time, listeners could hear the source and the ...

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Beethoven: Symphony No. 9

Beethoven: Symphony No. 9 more music like this

performed by Frank Lopardo (tenor), Kelley O'Connor (mezzo-soprano), Measha Brueggergosman (soprano), René Pape (bass), Cleveland Orchestra Chorus (choir, chorus), Cleveland Orchestra, Franz Welser-Möst (conductor)
composed by Ludwig van Beethoven

Recordings of Ludwig van Beethoven's Symphony No. 9 in D minor number in the hundreds, and there's little reason to get excited about yet another, unless it's a rendition by Franz Welser-Möst, a dynamic Austrian conductor who can be relied on to do something interesting with this masterpiece. Sure enough, this live version with the Cleveland ...

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