Malcolm Sargent began serving as an accompanist for amateur productions of Gilbert & Sullivan when he was 14, was musical director for the D'Oyly Carte Opera Company from 1926 to 1928, and made complete recordings of several of the operettas with the company, so he clearly had the Gilbert & Sullivan tradition in his blood. During the late '50s and ...
Malcolm Sargent served as musical director for he D'Oyly Carte Opera Company from 1926 to 1928 so he was well familiar with the Gilbert and Sullivan tradition. His recordings of the operettas from productions at Glyndebourne during the late '50s and early '60s have very high musical standards, both in the quality of the vocal soloists and the ...
Malcolm Sargent served as an accompanist for amateur productions of Gilbert and Sullivan beginning when he was 14, was musical director for the D'Oyly Carte Opera Company from 1926 to 1928, and made complete recordings of several of the operettas with the company during that period, so he clearly had the Gilbert and Sullivan tradition in his blood ...
Malcolm Sargent served as an accompanist for amateur productions of Gilbert & Sullivan beginning when he was 14, was musical director for the D'Oyly Carte Opera Company from 1926 to 1928, and made complete recordings of several of the operettas with the company during that period, so he clearly had the Gilbert & Sullivan tradition in his blood. ...
Malcolm Sargent served as musical director for he D'Oyly Carte Opera Company from 1926 to 1928 so he was well familiar with the Gilbert and Sullivan tradition. His recordings of the operettas from productions at Glyndebourne during the late '50s and early '60s have very high musical standards, both in the quality of the vocal soloists and the ...
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