Stella Maris (2005) more music like this

performed by John Potter (vocals), Trio Mediæval
composed by Anonymous, English, Anonymous, English Polyphony, Anonymous, Notre Dame School, Pérotin, Sungji Hong

Trio Mediaeval is a group of three women from Norway who sing unaccompanied harmonies using medieval polyphony as a point of departure. Even given that we can never really know what 800-year-old music sounded like in its own time, it can be said that they remake medieval pieces according to their own wishes rather than researching their original ...

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Passio (1988) more music like this

performed by Catherine Duckett (bassoon), Christopher Bowers-Broadbent (organ), David James (counter tenor), Elisabeth Wilson (cello), Elizabeth Layton (violin), Gordon Jones (tenor), Gordon Jones (baritone), Hilliard Ensemble, John Potter (tenor)
composed by Arvo Pärt

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Music of the Gothic Era more music like this

performed by Charles Brett (counter tenor), David James (counter tenor), Early Music Consort of London, Geoffrey Shaw (bass), James Bowman (counter tenor), John Nixon (tenor), John Potter (tenor), Martyn Hill (tenor), Paul Elliott (tenor), Rogers Covey-Crump (tenor)
composed by Adam de la Halle, Anonymous, Anonymous, 14th Century Polyphony, Anonymous, Codex Chantilly, Anonymous, French, Anonymous, German, Bernard de Cluny, Guillaume de Machaut, Henri Gilles de Pusieux, Léonin, Pérotin, Petrus de Cruce, Philippe de Vitry

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The Triumphs of Maximilian (1998) more music like this

performed by John Potter (tenor), Musica Antiqua London
composed by Anonymous, Antoine Busnois, Arnt von Aich, Caspar Othmayr, Georg Rhau, German Traditional, Heinrich Finck, Heinrich Isaac, Jacques Barbireau, Johannes Ghiselin, Josquin Desprez, Ludwig Senfl, Sixtus Dietrich, Thomas Stolzer

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In Paradisum: Music of Victoria and Palestrina (2000) more music like this

performed by David James (counter tenor), Gordon Jones (baritone), Hilliard Ensemble, John Potter (tenor), Rogers Covey-Crump (tenor)
composed by Anonymous, Graduale Romanum, Toul, Giovanni Pierluigi da Palestrina, Tomás Luis de Victoria

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Hark How the Wild Musicians Sing: The Symphony Songs of Henry Purcell (1994) more music like this

performed by Angus Smith (tenor), John Potter (tenor), Julia Gooding (soprano), Parley of Instruments, Peter Holman (organ), Peter Holman (harpsichord), Richard Wistreich (bass), Suzie LeBlanc (soprano)
composed by Henry Purcell

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Monteverdi: L'Orfeo (1993) more music like this

performed by Catherine Denley (vocals), David Thomas (vocals), Emma Kirkby (vocals), Geoffrey Shae (vocals), Guillemette Laurens (vocals), Helena Afonso (vocals), Jennifer Smith (soprano), John Potter (vocals), London Baroque, London Cornett and Sackbutt Ensemble
composed by Claudio Monteverdi

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Marsh: Pierrot Lunaire (2009) more music like this

performed by Alex Shepherd (piano), Anna Maria Friman (vocals), Anna Myatt (soprano), Chris O'Gorman (tenor), Christian Mason (violin), Ebor Singers, Helena Daffern (alto), Hilliard Ensemble, Joe Marsh, John Potter (vocals), Juice, Junko Matsuda (piano)
composed by Roger Marsh

It might seem foolhardy to set about to compose a piece based on the same text as that of one of the seminal works in twentieth century music, but British composer Roger Marsh has taken the risk and succeeded in creating something entirely new and hugely engaging. His choral cycle, Albert Giraud's Pierrot Lunaire, uses the same texts as Schoenberg ...

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English National Songs (1993) more music like this

performed by Broadside Band, John Potter (tenor), Lucie Skeaping (mezzo-soprano)
composed by Anonymous, Anonymous, English, Charles Dibdin, Collins, English Traditional, Henry Carey, Henry Purcell, Henry Rowley Bishop, James Hook, Richard Leveridge, Thomas Arne, William Lawes

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English Church Music (2006) more music like this

performed by Chanticleer, David Thomas (bass), Donna Deam (soprano), Drew Minter (counter tenor), Fretwork, John Potter (tenor), Jonathan Hardy (organ), Michael Hickman (treble), Peter Harvey (baritone), Robi Bhattacharya (treble), Rogers Covey-Crump (tenor)
composed by Orlando Gibbons, Pelham Humfrey, William Byrd

A fairly random collection of the sacred music of three English composers from the late sixteenth and early seventeenth centuries, each disc of this Harmonia Mundi three-disc set nevertheless has its attractive qualities. In the disc given to two masses and three motets by the celebrated William Byrd, the all-male Chanticleer sings with an austere ...

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Stravinsky: Les Noces and Other Choral Music (1991) more music like this

performed by Alexander Nazarov (bass), Andrew Ball (piano), Brendan Thomas (horn), Christopher Wells (percussion), Clive Williamson (piano), David Corkhill (percussion), David Corkhill (tympani [timpani]), Duncan McTier (double bass), Elena Medvedovskaya (alto)
composed by Carlo Gesualdo, Igor Stravinsky, Russian Traditional

This 1990 recording demonstrates how well a collection of related works can be organized into a cohesive program with a clear, far-sighted theme. It is a collection of Stravinsky's choral works, with Les noces (The Wedding) as its focal point. Opening with a collection of traditional Russian bridal songs, the disc then treats listeners to ...

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Sacred and Secular Music from Six Centuries (1990) more music like this

performed by David James (counter tenor), Hilliard Ensemble, John Potter (tenor), Michael George (bass), Paul Hillier (baritone), Rogers Covey-Crump (tenor)
composed by Anonymous, Claude Goudimel, Clément Janequin, Francisco de Peñalosa, Godefroy De St Victoire, Guillaume de Machaut, Guillaume Dufay, Heinrich Isaac, Hermanus Contractus, Mateo Flecha, Robert Fayrfax, Thomas Tallis, William Byrd

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Monteverdi: Vespro della beata vergine (2002) more music like this

performed by Alexander Schneider (counter tenor), Barbara Borden (soprano), Bertrand Chuberre (bass baritone), Charles Toet (trombone), Concerto Palatino, Jelle Draijer (bass baritone), John Potter (tenor), Julian Podger (tenor), Leo Van Doeselaar (organ)
composed by Claudio Monteverdi, Heinrich Scheidemann

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My Lady Rich (2005) more music like this

performed by Asako Morikawa (viol), Caroline Trevor (alto), Christopher Morrongiello (lute), Daniel Norman (tenor), Emily van Evera (soprano), Emily van Evera (recorder), Jacob Heringman (cittern), John Potter (tenor), Lucy Carolan (virginal), Lynda Sayce (bass lute)
composed by Anonymous, Anonymous, English, Anonymous, Jane Pickeringe's Lute Book, Antony Holborne, Charles Tessier, English Traditional, Giovanni Coprario, John Bartlet, John Dowland, Robert Jones, William Byrd

Vocalist Emily van Evera has participated in the making of many early music recordings over the years, mainly as a performer within a group, among them Taverner Consort, Hilliard Ensemble, Tragicomedia, Sequentia, and Gothic Voices. The most famous, and notorious, of van Evera's associations is her vocal portrayal of Hildegard von Bingen as set to ...

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Heinrich Schütz: Cantiones Sacrae more music like this

performed by John Potter (tenor), Manfred Cordes (organ), Mona Spagele (soprano), Peter Kooij (bass), Ralf Popken (alto), Rogers Covey-Crump (tenor), Thomas Ihlenfeldt (chitarrone), Weser-Renaissance
composed by Heinrich Schütz

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Gavin Bryars: Oi Me Lasso (2005) more music like this

performed by Anna Maria Friman (soprano), Gavin Bryars (double bass), John Potter (tenor), Morgan Goff (viola), Nick Cooper (cello)
composed by Gavin Bryars

For purists, Gavin Bryars has raised issues of appropriation in his contemporary adaptations of fourteenth century Cortonese laude, but it is sometimes difficult to know how much of the material on Oi Me Lasso he has quoted and how much he has elaborated. In their original form, these sacred songs were written for unaccompanied soprano voice; ...

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Johnny, Cock Thy Beaver: Popular Music-Making in 17th-Century England (1996) more music like this

performed by David Miller (lute), David Miller (cittern), David Miller (guitar), David Miller (theorbo), Giles Lewin (shawm), John Potter (vocals), Paul Bevan (recorder), Paul Bevan (violin), Paul Bevan (sackbut), Peter Skuce (guitar), Peter Skuce (virginal)
composed by Anonymous, Anonymous, English, English Traditional, Giles Farnaby, John Dowland, John Playford, Scottish Traditional, Thomas Ravenscroft

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Songs and Dances from Shakespeare (1995) more music like this

performed by Alastair McLachlan (violin), Deborah Roberts (soprano), George Weigand (arch cittern), George Weigand (mandora), George Weigand (lute), George Weigand (cittern), George Weigand (orpharion), Jeremy Barlow (pipe), Jeremy Barlow (recorder)
composed by Anonymous, Anonymous, English, English Traditional, John Vernon, John Wilson, Robert (ii) Johnson, Robert Jones, Scottish Traditional, Thomas Ford, Thomas Morley, William Byrd

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A Hilliard Songbook - New Music for Voices (1996) more music like this

performed by Barry Guy (double bass), David James (vocals), Gordon Jones (vocals), Hilliard Ensemble, John Potter (tenor), Rogers Covey-Crump (vocals)
composed by Anonymous, Arvo Pärt, Barry Guy, Elizabeth Liddle, Ivan Moody, James MacMillan, Joanne Metcalf, John Casken, Michael Finnissy, Morton Feldman, Paul Robinson, Veljo Tormis

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Thomas Tallis: The Lamentations of Jeremiah/Salvator mundi/O sacrum convivium/Mass for Four Voices/Absterge Domine (1987) more music like this

performed by David James (vocals), Hilliard Ensemble, John Potter (tenor), Michael George (baritone), Paul Hillier (baritone), Rogers Covey-Crump (vocals), Paul Hillier (conductor)
composed by Thomas Tallis

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Treasury of Elizabethan Music (1982) more music like this

performed by Broadside Band, Caroline Trevor (alto), Charles Daniels (tenor), Deborah Roberts (soprano), George Weigand (lute), John Potter (tenor), Kate Eckersley (soprano), Lucie Skeaping (soprano), Richard Burnett (virginal), Richard Wistreich (bass)
composed by Anonymous, Anonymous, English, Anonymous, Italian, Antony Holborne, Christmas Traditional, English Traditional, Giles Farnaby, John Attey, John Dowland, Orlando Gibbons, Robert Jones, Robert Parsons, Scottish Traditional, Thomas Tallis, Thomas Tomkins

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The Dufay Collective:Miri It Is (1995) more music like this

performed by Giles Lewin (shawm), John Potter (vocals), Paul Bevan (vocals), Paul Bevan (psaltery), Paul Bevan (recorder), Peter Skuce (harp), Peter Skuce (organ), Peter Skuce (vocals), Raphael Mizraki (lute), Susanna Pell (vielle), William Lyons (vocals)
composed by Anonymous, Anonymous, English, Jehannot de l'Escurel, Research Composer

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The Dowland Project: Care-charming Sleep (2003) more music like this

performed by Barry Guy (double bass), John Potter (tenor), John Surman (sax), John Surman (clarinet), Maya Homburger (baroque violin), Stephen Stubbs (baroque guitar), Stephen Stubbs (chitarrone)
composed by Benedetto Ferrari, Cherubino Busatti, Cipriano de Rore, Claudio Monteverdi, Giovanni Felice Sances, Henry Purcell, John Wilbye, Riccardo Rognoni, Robert (ii) Johnson, Stephen Stubbs

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Signature: Nicholas McGegan (1993) more music like this

performed by David Thomas (vocals), Drew Minter (vocals), Janet See (flute), John Potter (vocals), Lisa Saffer (vocals), Lorraine Hunt Lieberson (vocals), Lowell Greer (natural horn), Marion Verbruggen (recorder), Michael Dean (vocals), Nicholas McGegan (harpsichord)
composed by Antonio Vivaldi, Arcangelo Corelli, George Frederick Handel, Johann Sebastian Bach, Marco Uccellini, Nicola Matteis, Pelham Humfrey, Wolfgang Amadeus Mozart

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Monteverdi: Il ballo delle ingrate; Il combattimento di Tancredi e Clorinda; Ballo 'Movete'; Altri canti d'Amor (1991) more music like this

performed by Catherine Pierard (soprano), John Potter (tenor), Mark Padmore (tenor), Mary Seers (soprano), Parley of Instruments, Red Byrd, Richard Wistreich (bass), Susan Bickley (mezzo-soprano)
composed by Claudio Monteverdi

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