Your search: Classical Music » Artist: John Mark Rozendaal
(9 matching classical music titles)
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Handel: The Sonatas for Violin and Continuo
(1997)
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performed by
David Schrader (harpsichord) , John Mark Rozendaal (cello) , Rachel Barton Pine (violin)
composed by
George Frederick Handel
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Padre Antonio Soler: The Quintets for Harpsichord & String Quartet Nos. 1, 2 & 3
(1993)
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performed by
Christopher Verrette (violin) , David Schrader (harpsichord) , John Mark Rozendaal (cello) , Michael Shelton (violin) , Peter Slowik (viola)
composed by
Antonio Soler
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Instrument of the Devil
(1998)
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performed by
David Schrader (harpsichord) , John Bruce Yeh (clarinet) , John Mark Rozendaal (cello) , Patrick Sinozich (piano) , Rachel Barton Pine (violin)
composed by
Antonio Bazzini , Camille Saint-Saëns , Franz Liszt , Giuseppe Tartini , Hector Berlioz , Heinrich Wilhelm Ernst , Igor Stravinsky , Manuel de Falla , Niccolò Paganini , Pablo de Sarasate
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An Italian Soujourn
(2007)
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performed by
David Schrader (harpsichord) , John Mark Rozendaal (cello) , Rachel Barton Pine (violin) , Trio Settecento
composed by
Alessandro Stradella , Arcangelo Corelli , Biagio Marini , Dario Castello , Francesco Maria Veracini , George Frederick Handel , Giuseppe Tartini , Pietro Antonio Locatelli
Trio Settecento, a Baroque chamber ensemble featuring violinist Rachel Barton Pine along with continuo provided by cellist John Mark Rosendaal and harpsichordist David Schrader, was founded to record Barton Pine's first Çedille disc, a collection of Handel's rarely recorded violin sonatas. Although the album was a success, and so was Barton Pine, ...
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The Virtuoso Handel
(2001)
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performed by
Chicago Baroque Ensemble , Patrice Michaels (soprano) , John Mark Rozendaal (conductor)
composed by
George Frederick Handel
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Behold, and See
(2000)
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performed by
Academy of Ancient Music , Bach Collegium Japan , Bernhard Hunziker (tenor) , David Schrader (harpsichord) , Ensemble Daedalus , Istvan Kovacs (bass) , Jakob Staempfli (bass) , John Elwes (tenor) , John Mark Rozendaal (cello) , Les Flamboyants , Musica Ficta
composed by
Anonymous , Anonymous, Codex Franus , Birgitta von Schweden , Eustache du Caurroy , Francesco Corteccia , George Frederick Handel , Gregorian Chant , Guillaume Dufay , Heinrich Schütz , Hildegard von Bingen , Joan Cererols , Johann Melchior Gletle , Josquin Desprez
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"Bass"ically French: Music of Marais, Corrette and Philidor
(2004)
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performed by
Adam Wead (theorbo) , Adam Wead (tambor) , Anna Marsh (bassoon) , Barbara Weiss (harpsichord) , Craig Trompeter (viol) , John Mark Rozendaal (viol) , Keith Collins (bassoon) , Mary Springfels (viol) , Michael McCraw (bassoon)
composed by
Andre Danican Philidor , Marin Marais , Michel Corrette
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Introducing David Schrader
(2000)
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performed by
Chicago Baroque Ensemble , Christopher Verrette (violin) , David Schrader (harpsichord) , David Schrader (organ) , David Schrader (fortepiano) , John Mark Rozendaal (cello) , Michael Shelton (violin) , Peter Slowik (viola) , Rembrandt Chamber Players
composed by
Antonio Soler , César Franck , Domenico Scarlatti , Ilja Hurnik , Jean-Henri d'Anglebert , Johann Sebastian Bach
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Breaking the Ground: Music from Christopher Simpson's The Division Viol
(2008)
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performed by
David Schrader (harpsichord) , John Mark Rozendaal (viola da gamba)
composed by
Christopher Simpson , Elliot , Richard Sumarte , Stephen Goodall , William Young
Christopher Simpson's 1659 publication The Division Violist was a compendium of technique relating to the viola da gamba, both technical and compositional. Like that of other compilers of instruction books, Simpson as a composer has remained in the shadows of more famous contemporaries. Gambist John Mark Rozendaal here attempts to elevate Simpson ...
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