Penderecki: St. Luke Passion (2003) more music like this

performed by Adam Kruszewski (baritone), Izabella Klosinska (soprano), Jaroslaw Malanowicz (organ), Romuald Tesarowicz (bass), Warsaw Boys' Choir (boy's choir), Warsaw National Philharmonic Choir (choir, chorus), Warsaw National Philharmonic Orchestra
composed by Krzysztof Penderecki

Krzysztof Penderecki's St. Luke Passion (Passio et mors Domini Nostri Jesu Christi secundum Lucam) is considered by many to be a landmark work in the history of twentieth century. One would not know that from the degree to which the work has been recorded; since its 1965 premiere, the St. Luke Passion has only been recorded in its entirety three ...

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Wojciech Kilar: Missa Pro Pace (2001) more music like this

performed by Charles Daniels (vocals), Izabella Klosinska (vocals), Jadwiga Rappe (vocals), Romuald Tesarowicz (vocals), Kazimierz Kord (conductor)
composed by Wojciech Kilar

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Sinfonia Sacra (1998) more music like this

performed by Elizbieta Panko (mezzo-soprano), Izabella Klosinska (soprano), Marek Sewen (conductor)
composed by Marek Sewen

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Mahler: Symphony No. 8 "Symphony of a Thousand" (2006) more music like this

performed by Barbara Kubiak (soprano), Ewa Marciniec (alto), Izabella Klosinska (soprano), Jadwiga Rappe (alto), Marta Boberska (soprano), Piotr Nowacki (bass), Timothy Bentch (tenor), Wojciech Drabowicz (baritone), Cracow Polish Radio Chorus (choir, chorus)
composed by Gustav Mahler

Even though Gustav Mahler's vast Symphony No. 8 in E flat major, "Symphony of a Thousand" is the most difficult of his works to mount -- with an expanded orchestra, an organ, eight vocal soloists, boys choir, two large adult choirs, and an off-stage brass ensemble, it outstrips even the massive instrumentation used in the Symphony No. 2, ...

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Penderecki: A Polish Requiem (2004) more music like this

performed by Izabella Klosinska (soprano), Jadwiga Rappe (alto), Piotr Nowacki (bass), Ryszard Minkiewicz (tenor), Warsaw National Philharmonic Choir (choir, chorus), Warsaw National Philharmonic Orchestra, Antoni Wit (conductor)
composed by Krzysztof Penderecki

Naxos continues its exploration into the major repertoire of Polish composer Krzysztof Penderecki with his Polish Requiem, which has an interesting background in that its various sections were assembled over time, much in the manner of Johann Sebastian Bach's Mass in B minor. Although the "Sanctus" wasn't added until 1993, most of the individual ...

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Wojciech Kilar: Tryptyk / The Triptych more music like this

performed by Izabella Klosinska (soprano), Warsaw Philharmonic Chorus (choir, chorus), The National Polish Symphony Orchestra in Katowice, Antoni Wit (conductor)
composed by Wojciech Kilar

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Anna Jastrzebska: Chamber music more music like this

performed by Andrzej Gebski (violin), Andrzej Wróbel (cello), Chamber Ensemble Camerata Vistula, Grzegorz Chmielewski (viola), Izabella Klosinska (soprano), Jadwiga Kotnowska (flute), Mariusz Rutkowski (piano), Piotr Janowski (violin), Robert Morawski (piano)
composed by Anna Jastrzebska

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Kilar: Magnificat; Victoria more music like this

performed by Izabella Klosinska (soprano), Piotr Nowacki (bass), Tomasz Krzysica (tenor), Silesian Philharmonic Orchestra (choir, chorus), Silesian Philharmonic Orchestra, Miroslaw Jacek Blaszczyk (conductor)
composed by Wojciech Kilar

Polish composer Wojciech Kilar is not as well known as several of his contemporaries and compatriots such as Penderecki and Górecki, but his compositional path has taken a similar trajectory. He was trained as a modernist, with a stint at Darmstadt, but unlike them he always had a strong interest in folk traditions. Like them, he experienced an ...

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Penderecki: Te Deum; Hymne an der heiligen Daniel; Polymorphia (2007) more music like this

performed by Adam Zdunikowski (tenor), Agnieszka Rehlis (mezzo-soprano), Izabella Klosinska (soprano), Piotr Nowacki (bass), Warsaw National Philharmonic Choir (choir, chorus), Warsaw National Philharmonic Orchestra, Antoni Wit (conductor)
composed by Krzysztof Penderecki

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