Of all Pierre Boulez's works, only Le Marteau sans maître (1953-1955) has achieved worldwide recognition as a modern masterpiece, partly because of the praise lavished on it by fellow composers and critics, but also because the public responded to the piece with uncommon openness to its rarefied expression and fascination with its fresh timbral ...
Pierre Boulez's insightful interpretations of Varèse's music were important additions to a once meager catalog of recordings. The 1977 release of Ionisation, Arcana, and Amériques came as a revelation and redressed the false impressions other wooden and inept performances had left of these pieces. Boulez's recordings have vivid details, room for ...
The three works presented here reveal distinctly different phases of Arnold Schoenberg's development, each a critical point of departure. In the Pieces (5) for Orchestra (1909), Schoenberg's atonal language appears full-blown and marks a clear break with tonality. For the first time, Schoenberg places content over form and dispenses with any ...
Deutsche Grammophon's budget-priced, four-CD collection of all the works by György Ligeti in its catalog has many things to commend it, beginning with the title. Clear or Cloudy is a profoundly astute description of the composer's career, encompassing both the great sound clouds of his micropolyphonic work of the 1960s, such as Atmosphères, ...
This recording of Pli selon Pli may be considered definitive. Pierre Boulez worked on this massive composition from 1957 to 1989, and over those years issued different versions and recordings of the work in progress. "Don" and "Improvisation sur Mallarmé III" have been extensively rewritten and are heard here in their final form. Compared to a ...
This compelling collection of Arnold Schoenberg's choral music works well as a sampler of the composer's varied interests and changing methods, and provides clear examples from the early chromatic and atonal periods to the dodecaphony of the mature masterworks. The two versions of Friede auf Erden (the 1907 a cappella original and the 1911 version ...
In 2004, Korean-born composer Unsuk Chin pulled off what might seem impossible -- she won the prestigious Grauemeyer Award for her Violin Concerto with no more representation in terms of commercial recordings than a single electro-acoustic piece included on an obscure compilation more than 10 years old. Commonly, to be awarded such a grand ...
If one characteristic stands out in the contemporary works of Pierre Boulez, it is the remarkable depths of sonority he achieves through methods of multiplication and elaboration. In their unique ways, the three pieces on this Deutsche Grammophon reissue are intensely wrought complexes of layered timbres, reiterated attacks, and mirrored motifs, ...
Die-hard fans of Pierre Boulez's music may find no difficulty in this disc's selections, though others less familiar with the composer's music may question the rationale behind the program. Notations and Structures, Book II, for two pianos are logically paired, since both inhabit the same sound world and, more subtly, can be positioned fairly ...
If one characteristic stands out in the contemporary works of Pierre Boulez, it is the remarkable depths of sonority he achieves through methods of multiplication and elaboration. In their unique ways, the three pieces on this Deutsche Grammophon release are intensely wrought complexes of layered timbres, reiterated attacks, and mirrored motifs, ...
As far as can be determined by perusing the international catalogs, this 2008 Decca disc contains post-modernist composer/conductor Pierre Boulez's first recording of a work by high classical composer/performer Wolfgang Amadeus Mozart. Boulez's choice of repertoire is unusual to say the least: neither a symphony nor a piano concerto, but rather a ...
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