Handel: Messiah (1751 version) (2006) more music like this

performed by Eamon Dougan (bass), Henry Jenkinson (treble), Iestyn Davies (counter tenor), Otta Jones (treble), Robert Brooks (treble), Toby Spence (tenor), New College Choir, Oxford (choir, chorus), Academy of Ancient Music, Edward Higginbottom (conductor)
composed by George Frederick Handel

Many early music performers strive to re-create the style and expressions of a certain period, working within a consensus of opinions on what constitutes authentic performance practice. But some go quite a bit further and reproduce a work with all the known details of instrumentation and the specific features of a historic performance. Not only ...

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Agnus Dei: Music of Inner Harmony (1996) more music like this

performed by Eamon Dougan (bass), Matthew Beale (tenor), Rebecca Hirsch (violin), Thomas Herford (soprano), William Petter (soprano), New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Edward Elgar, Felix Mendelssohn, Gabriel Fauré, Giovanni Pierluigi da Palestrina, Gregorio Allegri, Henryk Mikolaj Górecki, Johann Sebastian Bach, John Tavener, Samuel Barber, Sergey Rachmaninov, Wolfgang Amadeus Mozart

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Mathew Locke: Anthems, Motets and Ceremonial Music (1990) more music like this

performed by Parley of Instruments, Peter Holman (organ), New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Matthew Locke

On July 5, 1672, antiquarian and diarist Anthony à Wood noted in his diary, "Encaenia: excellent musick." The Encaenia was what seventeenth century Oxford called its annual graduation ceremony, which was held in a theater, and the music was Descende caelo cincta sororibus, or The Oxford Ode, written by England's then-reigning monarch among ...

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Bach: St. John Passion (2003) more music like this

performed by Alexandra Bellamy (oboe), Christine Garratt (flute), Colin Baldy (bass), David Watkin (cello), Eamon Dougan (bass), Jakob Lindberg (lute), James Bowman (alto), James Gilchrist (tenor), Joanna Levine (gamba), Joe Littlewood (soprano), John Bernays (bass)
composed by Johann Sebastian Bach

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Nativitas more music like this

performed by David Willcocks (descant), David Willcocks (vocal harmony), Edward Higginbottom (descant), Edward Higginbottom (flute), Nicholas Fuggle (treble), Philip Cave (tenor), Roderick Morris (treble), New College Choir, Oxford (choir, chorus)
composed by Anonymous, Anton Bruckner, Boris Ord, Christmas Traditional, Christopher Tye, Felix Mendelssohn, Francis Poulenc, Franz Xaver Gruber, Giovanni Pierluigi da Palestrina, Henry John Gauntlett, Herbert Howells, Johann Christoph Friedrich Bach, John Joubert

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Once Were Angels: The Tradition of Boy Trebles (2003) more music like this

performed by Andrew Brough (treble), Andrew Shenton (organ), Andrew Wicks (treble), Christopher Smith (treble), Daniel Ludford-Thomas (treble), Dara Carroll (treble), David Lumsden (organ), Donald Hunt (piano), Edward Higginbottom (piano), James Davis (treble)
composed by Antonio Vivaldi, Arthur Sullivan, British Isles Traditional, Charles Villiers Stanford, Edward Elgar, English Traditional, Felix Mendelssohn, Franz Schubert, Gabriel Fauré, George Frederick Handel, Heinrich Schütz, Henry Purcell, Mary Plumstead

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Pergolesi: Marian Vespers (2002) more music like this

performed by Academy of Ancient Music, Alison McGillivray (cello), Alistair Ross (continuo organ), Edward Higginbottom (organ), Joseph Crouch (continuo cello), Noemi Kiss (vocals), Pavlo Beznosiuk (violin), Simon Birchall (vocals), Sophie Daneman (vocals)
composed by Giovanni Pergolesi

This Erato release attempts to introduce the listener to various aspects, some perhaps neglected, of Pergolesi's work. Such an attempt would be quite laudable, Pergolesi mainly being known for his Stabat Mater and the brilliant intermezzo La serva padrona, were not Pergolesi: Marian Vespers, a random sequence of disparate vocal and instrumental ...

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MacMillan & His British Contemporaries (2006) more music like this

performed by Daniel Norman (tenor), Guy Cutting (treble), Laurence Cramp (bass), Matthew Venner (alto), Sam Ellison (treble), Sasha Ockenden (treble), William Rolls (tenor), William Unwin (tenor), New College Choir, Oxford (choir, chorus)
composed by Francis Grier, Gabriel Jackson, James MacMillan, John Joubert, Jonathan Dove, Judith Weir, Julian Anderson, Peter Wishart, Robin Greville Holloway, Ryan Wigglesworth, Tarik O'Regan

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Claude le Jeune: Magnificat, Benedicite Dominum, Missa Ad Placitum (1991) more music like this

performed by Edward Higginbottom (organ), New College Choir, Oxford (choir, chorus)
composed by Claude Le Jeune

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Fauré, Duruflé: Requiems (1997) more music like this

performed by New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Gabriel Fauré, Maurice Duruflé

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Mondonville: De Profundis; Venite exultemus more music like this

performed by Charles Daniels (haute contre vocal), Gillian Fisher (soprano), Stephen Varcoe (bass), New College Choir, Oxford (choir, chorus), London Baroque, Edward Higginbottom (conductor)
composed by Jean-Joseph Cassanéa de Mondonville

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Sancte Deus: A Journey Through the Renaissance (2000) more music like this

performed by Colin Baldy (vocals), Jerome Finnis (vocals), Mark Milhofer (vocals), Nigel Howells (vocals), Ryan Wigglesworth (organ), New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Alonso Lobo, Francisco Guerrero, Giovanni Pierluigi da Palestrina, Josquin Desprez, Manuel Cardoso, Nicolas Gombert, Orlande de Lassus, Thomas Tallis, Tomás Luis de Victoria, Vincenzo Ugolini, William Byrd

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Locke: Anthems, Motets and Ceremonial Music (1990) more music like this

performed by Parley of Instruments, New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Matthew Locke

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Nicholas Ludford: Missa Benedicta; Antiennes Votives (2008) more music like this

performed by New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Nicholas Ludford

Nicholas Ludford was a British contemporary of John Taverner, active during the first half of the sixteenth century. His music has only recently been unearthed, and based on this recording one can say it was not only worth the trouble but might even cause some rewriting in the history books. The main attraction is the six-voice Missa Benedicta et ...

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