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Handel: Messiah (1751 version)

Handel: Messiah (1751 version) (2006) more music like this

performed by Eamon Dougan (bass), Henry Jenkinson (treble), Iestyn Davies (counter tenor), Otta Jones (treble), Robert Brooks (treble), Toby Spence (tenor), New College Choir, Oxford (choir, chorus), Academy of Ancient Music, Edward Higginbottom (conductor)
composed by George Frederick Handel

Many early music performers strive to re-create the style and expressions of a certain period, working within a consensus of opinions on what constitutes authentic performance practice. But some go quite a bit further and reproduce a work with all the known details of instrumentation and the specific features of a historic performance. Not only ...

see all copies from $9.29!

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Agnus Dei: Music of Inner Harmony

Agnus Dei: Music of Inner Harmony (1996) more music like this

performed by Eamon Dougan (bass), Matthew Beale (tenor), Rebecca Hirsch (violin), Thomas Herford (soprano), William Petter (soprano), New College Choir, Oxford (choir, chorus), Edward Higginbottom (conductor)
composed by Edward Elgar, Felix Mendelssohn, Gabriel Fauré, Giovanni Pierluigi da Palestrina, Gregorio Allegri, Henryk Mikolaj Górecki, Johann Sebastian Bach, John Tavener, Samuel Barber, Sergey Rachmaninov, Wolfgang Amadeus Mozart

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Into the Light

Into the Light (2007) more music like this

performed by Eamon Dougan (bass), Frances Bourne (alto), Grace Davidson (soprano), Jonathan Arnold (bass), Kaori Muraji (guitar), Libby Crabtree (soprano), The Sixteen (choir, chorus)
composed by Alexander Borodin, Francisco Tárrega, Gaspar Fernandes, Heitor Villa-Lobos, Johann Pachelbel, Juan de Anchieta, Mario Castelnuovo-Tedesco, Miguel Llobet, Thomas Tallis, Tomás Luis de Victoria

Into the Light is something of a departure for Harry Christophers and the Sixteen, the British mixed ensemble specializing in vocal music of the Renaissance. In this album they join forces with guitarist Kaori Muraji in a program made up of a variety of risky-sounding arrangements, including an abbreviated choral version of Pachelbel's Canon in D ...

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Agnus Dei II: Music to soothe the soul

Agnus Dei II: Music to soothe the soul more music like this

performed by Eamon Dougan (baritone), Matt Hall (organ), Matthew Halls (organ), New College Choir, Oxford (choir, chorus)
composed by Anton Bruckner, Antonio Lotti, Claudio Monteverdi, Frank Martin, Franz Schubert, Gabriel Fauré, Georges Bizet, Henry Purcell, Johann Sebastian Bach, Johannes Brahms, Tomaso Albinoni, William Byrd

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Bach: St. John Passion

Bach: St. John Passion (2003) more music like this

performed by Alexandra Bellamy (oboe), Christine Garratt (flute), Colin Baldy (bass), David Watkin (cello), Eamon Dougan (bass), Jakob Lindberg (lute), James Bowman (alto), James Gilchrist (tenor), Joanna Levine (gamba), Joe Littlewood (soprano), John Bernays (bass)
composed by Johann Sebastian Bach

see all copies from $8.22!

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Brahms: Ein Deutsches Requiem

Brahms: Ein Deutsches Requiem (2007) more music like this

performed by Christopher Glynn (piano), Eamon Dougan (bass), Gary Cooper (piano), Julie Cooper (soprano), The Sixteen, Harry Christophers (conductor)
composed by Johannes Brahms

The Sixteen's version of Ein Deutsches Requiem follows a growing trend of recording the piece in its arrangement for piano duet rather than with the original orchestral accompaniment. Brahms made the arrangement himself to ensure the Requiem's broader dissemination, making it accessible for amateur choral societies. While it was purely a pragmatic ...

see all copies from $16.13!

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Moon, Sun & All Things [Hybrid SACD]

Moon, Sun & All Things [Hybrid SACD] (2005) more music like this

performed by Alice Gribbin (soprano), Christopher Watson (tenor), Eamon Dougan (bass), Elizabeth Cragg (soprano), Ex Cathedra Baroque Ensemble, Grace Davidson (soprano), Lucy Ballard (alto), Natalie Clifton-Griffith (soprano), Natalie Clifton-Griffith (soprano)
composed by Anonymous, Bolivian, Anonymous, Peruvian, Diego José de Salazar, Domenico Zipoli, Francisco Hernández, Francisco López Capillas, Gaspar Fernandes, Hernando Franco, Juan de Araujo, Juan Gutiérrez de Padilla, Manuel de Zumaya

Moon, Sun & All Things is the second installment in Hyperion's Baroque Music in Latin America series featuring the talents of Jeffrey Skidmore and his extraordinary Baroque ensemble, Ex Cathedra. Like its predecessor, New World Symphonies, this volume is drawn from the same seemingly inexhaustible spring of Baroque sacred music composed south of ...

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Monteverdi: Vespers

Monteverdi: Vespers (2006) more music like this

performed by Angus Smith (chant), Charles Daniels (vocals), Don Grieg (chant), Eamon Dougan (chant), Gabrieli Consort & Players, Joseph Cornwell (vocals), Peter Harvey (vocals), Robert Evans (chant), Susan Hemington Jones (vocals), Tessa Bonner (vocals)
composed by Adriano Banchieri, Claudio Monteverdi, Ercole Pasquini, Giovanni Paolo Cima

Early music specialist and performer Paul McCreesh has spent over 20 years studying and conducting Monteverdi's Vespro della beata vergine and brings authority to his realization of a work (or collection of works) whose ambiguous score has left generations of scholars debating the Vespers' appropriate instrumentation, the ordering of movements, ...

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Streams of Tears

Streams of Tears (2008) more music like this

performed by Ben Davies (bass), Eamon Dougan (bass), Julie Cooper (soprano), Mark Dobell (tenor), The Sixteen (choir, chorus)
composed by Juan Gutiérrez de Padilla

The British choir called the Sixteen and its director Harry Christophers have succeeded in bringing the choral music of the Renaissance and Baroque to broad audiences with sunny, attractive sound from its mixed-gender, all-adult forces. Here it turns, no doubt to the delight of those who've already discovered this tradition, to the rich and ...

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Bright Orb of Harmony

Bright Orb of Harmony (2009) more music like this

performed by Ben Davies (bass), Charlotte Mobbs (soprano), Eamon Dougan (bass), Elin Manahan Thomas (soprano), Grace Davidson (soprano), Kirsty Hopkins (soprano), Kirsty Hopkins (alto), Mark Dobell (tenor), Simon Berridge (tenor), Stuart Young (bass), The Sixteen
composed by Henry Purcell, James MacMillan

The Sixteen have had phenomenal success with their precise yet agreeable choral singing, especially in their native Britain; this release carries a strip billing the group as "the voices of Classic FM," the crossover network that has, depending on whom you ask, either saved classical music in Britain or destroyed it. Of course the truth is ...

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A Mother's Love: Music for Mary

A Mother's Love: Music for Mary (2007) more music like this

performed by Christopher Royall (alto), David Roy (tenor), Eamon Dougan (bass), Grace Davidson (soprano), Jonathan Arnold (bass), Julie Cooper (soprano), Libby Crabtree (alto), Mark Dobell (tenor), Rebecca Outram (soprano), Ruth Massey (alto), Sally Dunkley (soprano)
composed by Anonymous, English, Anton Bruckner, Benjamin Britten, Camille Saint-Saëns, Edvard Grieg, Edward Elgar, Felix Mendelssohn, Franz Liszt, Gabriel Fauré, Giovanni Pierluigi da Palestrina, Jacob Obrecht, Josquin Desprez, Margaret Rizza, Maurice Duruflé

The Sixteen, founded in 1977 by Harry Christophers, is one of the world's outstanding vocal ensembles. The group of mixed voices is notable for the sweetness of its choral blend, its vocal discipline, and its mastery of a broad repertoire spanning the history of Western music, but with special emphasis on the Baroque and modern eras. This CD of ...

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Cecilia McDowall: Stabat Mater; On Angel's Wing; Three Latin Motets

Cecilia McDowall: Stabat Mater; On Angel's Wing; Three Latin Motets (2007) more music like this

performed by Charlotte Mobbs (soprano), Clare Porter (soprano), Eamon Dougan (baritone), Gretel Dowdeswell (piano), Nigel Shipway (percussion), Orchestra Nova Ensemble, South Hampstead High School Singers, St. Catherine Singers, Haberdasher's Askes' Girls School
composed by Cecilia McDowall

This 2007 Dutton disc is the fourth recording in less than a decade dedicated to the works of English composer Cecilia McDowall. All six works here are vocal, and most of them set religious texts. As is usual in McDowall's work, the pieces here sound like most twentieth century music was never written -- don't expect agonized expressionism, ...

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