Your search: Classical Music » Artist: Donna Brown
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Haydn: Die Schöpfung (The Creation)
(2006)
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performed by
Caroline Stormer (contralto) , Donna Brown (soprano) , Gerald Finley (bass) , Michael Schade (tenor) , Rodney Gilfry (bass) , Sylvia McNair (soprano) , Monteverdi Choir (choir, chorus) , English Baroque Soloists , John Eliot Gardiner (conductor)
composed by
Franz Joseph Haydn
To call this a performance of Haydn's The Creation, his setting of portions of The Book of Genesis and Paradise Lost, would be a mistake. Though the performers are predominantly English, this is a performance of Haydn's Die Schöpfung, his setting of portions of The Book of Genesis and Paradise Lost translated into German by Gottfried van Swieten. ...
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Handel: Agrippina
(2007)
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performed by
Alastair Miles (vocals) , Anne Sofie von Otter (vocals) , Della Jones (vocals) , Derek Lee Ragin (vocals) , Donna Brown (vocals) , George Mosley (vocals) , Jonathan Peter Kenny (vocals) , Julian Clarkson (vocals) , Michael Chance (vocals)
composed by
George Frederick Handel
Premiered in Venice during the winter of 1709-1710, Handel's Agrippina played an amazing 27 times in succession and crowned the 25-year-old German composer's stay in Italy. Although grander operas followed after Handel moved to England, Agrippina is still a fully mature, superbly realized, and brilliantly musical work. Cardinal Grimani's libretto ...
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Händel: Alexander's Feast
(2006)
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performed by
Ashley Stafford (counter tenor) , Carolyn Watkinson (contralto) , Donna Brown (soprano) , Nigel Robson (tenor) , Stephen Varcoe (bass) , Monteverdi Choir (choir, chorus) , English Baroque Soloists , John Eliot Gardiner (conductor)
composed by
George Frederick Handel
In all of Handel's works, there's nothing quite like Alexander's Feast. There's the Ode to St. Cecilia's Day, his other Dryden setting, but good as that work is, it remains a shorter, younger kid sister to Alexander's Feast. There are his later oratorios, but they almost all have plots of one kind or another, and Alexander's Feast is more of an ...
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Händel: Saul
(2007)
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performed by
Alastair Miles (bass) , Derek Lee Ragin (counter tenor) , Donna Brown (soprano) , John Mark Ainsley (tenor) , Lynne Dawson (soprano) , Neil Mackie (tenor) , Philip Salmon (tenor) , Philip Slane (tenor) , Richard Savage (bass) , Ruth Holton (soprano)
composed by
George Frederick Handel , Recorded Sound
When it comes to extravagant colors, extraordinary drama, integrated harmonies, and inexorable tragedy, it's hard to beat Handel's 1739 oratorio Saul. Upon the sturdy architecture of Charles Jennens' libretto based on the First Book of Samuel, Handel built a mighty three-act edifice of astonishing cogency and astounding effectiveness. In this ...
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Lully: Grands Motets
(2007)
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performed by
Donna Brown (soprano) , Guillemette Laurens (mezzo-soprano) , Henri Ledroit (counter tenor) , Herve Lamy (tenor) , Howard Crook (tenor) , Peter Kooy (bass) , Ulrich Studer (baritone) , Ensemble Vocal Europeén de la Chapelle Royale (choir, chorus)
composed by
Henry du Mont , Jean-Baptiste Lully
Harmonia Mundi's reissue of performances of Philippe Herreweghe leading the Chapelle Royale Opera Orchestra & Chorus includes two motets by Lully and one by his countryman and contemporary Henry Dumont. The French motet of the period closely resembled the structure of the Bach cantata, having multiple movements, and using soloists, both ...
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Haydn: 6 Great Masses
(2003)
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performed by
Andrew Busher (tenor) , Angharad Gruffydd Jones (soprano) , Bernarda Fink (alto) , Brindley Sherratt (bass) , Christoph Prégardien (tenor) , Donna Brown (soprano) , Elinor Carter (alto) , English Baroque Soloists , Gerald Finley (bass) , Joanne Lunn (soprano)
composed by
Franz Joseph Haydn
Haydn's late masses are as good as it gets for spiritual greatness in Catholic Austria in the early years of the nineteenth century. Mozart certainly has his moments, but he didn't finish his best spiritual works, and while there's no denying the greatness of Beethoven's Missa Solemnis, his only earlier Mass is hardly in the same class as Haydn's ...
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Händel: Der Messias (as arranged by Mozart, KV 572)
(1991)
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performed by
Alastair Miles (bass) , Cornelia Kallisch (soprano) , Donna Brown (soprano) , Roberto Sacca (tenor) , Gächinger Kantorei Stuttgart (choir, chorus) , Stuttgart Bach Collegium , Helmuth Rilling (conductor)
composed by
George Frederick Handel
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Romantic Choral Music [Box Set]
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performed by
Andreas Schmidt (bass) , Camilla Nylund (soprano) , Christoph Genz (tenor) , Cornelia Kallisch (alto) , Diana Montague (soprano) , Donna Brown (soprano) , Elisabeth Glauser (alto) , Gabriela Benackova (soprano) , Gilles Cachemaille (bass)
composed by
Anton Bruckner , Antonin Dvorák , César Franck , Felix Mendelssohn , Franz Liszt , Franz Schubert , Giacomo Puccini , Giuseppe Verdi , Johannes Brahms
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Frühlingslieder
(1998)
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performed by
Donna Brown (soprano) , Stephane Lemelin (piano)
composed by
Fanny Mendelssohn , Felix Mendelssohn , Franz Liszt , Franz Schubert , Hugo Wolf , Johannes Brahms , Robert Schumann
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Schubert Masses [Box Set]
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performed by
Christoph Genz (tenor) , Donna Brown (soprano) , Irene Friedli (alto) , James Taylor (tenor) , Jiri Sulzenko (bass) , Jurij Kruglov (baritone) , Lenka Smidova (mezzo-soprano) , Ludmila Vernerova-Novakova (soprano) , Marta Benackova (alto)
composed by
Franz Schubert
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Lecture Concerts: Bach Cantatas
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performed by
Andreas Schmidt (bass) , Christoph Genz (tenor) , Donna Brown (soprano) , Franz-Josef Selig (bass) , Helmuth Rilling (speech/speaker/speaking part) , Ingeborg Danz (alto) , James Taylor (tenor) , Markus Marquardt (bass) , Michael Volle (bass)
composed by
Johann Sebastian Bach , Spoken Word
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Schafer: Garden of the Heart
(1997)
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performed by
Annamaria Popescu (mezzo-soprano) , Donna Brown (soprano) , National Arts Centre Orchestra , Mario Bernardi (conductor)
composed by
R. Murray Schafer
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Mozart: Coronation Mass, KV 317
(2001)
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performed by
Claudia Schubert (alto) , Donna Brown (soprano) , Klaus Hager (bass) , Gächinger Kantorei Stuttgart (choir, chorus) , Helmuth Rilling (conductor)
composed by
Wolfgang Amadeus Mozart
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Bach: Sacred Music in Latin, Vol. 1
(1999)
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performed by
Christine Schäfer (soprano) , Donna Brown (soprano) , Ingeborg Danz (alto) , James Taylor (tenor) , Thomas Quasthoff (bass) , Wolfgang Schone (bass) , Gächinger Kantorei Stuttgart (choir, chorus) , Stuttgart Bach Collegium , Helmuth Rilling (conductor)
composed by
Johann Sebastian Bach
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Berlioz: Messe Solennelle
(1994)
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performed by
Donna Brown (soprano) , Gilles Cachemaille (vocals) , Jean-Luc Viala (tenor) , Monteverdi Choir (choir, chorus) , Orchestre Revolutionnaire et Romantique , John Eliot Gardiner (conductor)
composed by
Hector Berlioz
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Jean-Marie Leclair: Scylla Et Glaucus
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performed by
Agnes Mellon (soprano) , Andrew Murgatroyd (tenor) , Catherine Dubosc (soprano) , Donna Brown (soprano) , Elisabeth Priday (soprano) , Elisabeth Vidal (soprano) , Francis Dudziak (baritone) , Francoise Golfier (soprano) , Gilian Ross (soprano)
composed by
Jean-Marie Leclair (i)
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Debussy: Mélodies de jeunesse
(2001)
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performed by
Donna Brown (soprano) , Stephane Lemelin (piano)
composed by
Claude Debussy
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Verdi: Requiem/4 Pezzi Sacri
(1995)
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performed by
Alastair Miles (bass) , Anne Sofie von Otter (mezzo-soprano) , Donna Brown (soprano) , Luba Orgonasova (soprano) , Luca Canonici (tenor) , Monteverdi Choir (vocals) , Monteverdi Choir (choir, chorus) , Orchestre Revolutionnaire et Romantique
composed by
Giuseppe Verdi
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Schubert: Mass in A flat Major, D. 678
(1997)
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performed by
Donna Brown (soprano) , James Taylor (tenor) , Michael Volle (bass) , Monica Groop (alto) , Oregon Bach Festival Women's Choir (choir, chorus) , Oregon Bach Festival Orchestra , Helmuth Rilling (conductor)
composed by
Franz Schubert
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Les Grands Compositeurs Baroques
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performed by
Agnes Mellon (soprano) , Arlette Steyer (soprano) , Bernard Deletre (bass) , Christophe Rousset (harpsichord) , Davitt Moroney (organ) , Davitt Moroney (harpsichord) , Donna Brown (soprano) , Francois Fauche (bass) , Gerard Lesne (alto)
composed by
François Couperin , Jean-Baptiste Lully , Jean-Philippe Rameau
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Haydn: Nelsonmesse; Theresienmesse
(2002)
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performed by
Donna Brown (soprano) , English Baroque Soloists , Gerald Finley (bass) , Peter Butterfield (tenor) , Sally Bruce-Payne (mezzo-soprano) , Monteverdi Choir (choir, chorus) , John Eliot Gardiner (conductor)
composed by
Franz Joseph Haydn
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Handel: Agrippina
(1997)
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performed by
Alastair Miles (vocals) , Alastair Ross (continuo) , Alastair Ross (organ) , Alastair Ross (harpsichord) , Alison Bury (violin) , Anne Sofie von Otter (vocals) , Anthony Robson (oboe) , Della Jones (vocals) , Derek Lee Ragin (vocals) , Donna Brown (vocals)
composed by
George Frederick Handel
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Debussy: Rodrigue et Chimène
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performed by
Donna Brown (vocals) , Gilles Ragon (vocals) , Helene Jossoud (vocals) , Jean Delescluse (vocals) , Jean-Louis Meunier (vocals) , José van Dam (vocals) , Jules Bastin (vocals) , Laurence Dale (vocals) , Vincent le Texier (vocals)
composed by
Claude Debussy
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Haydn: Lord Nelson Mass; Creation Mass
(2006)
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performed by
Donna Brown (soprano) , Letizia Scherrer (soprano) , Lothar Odinius (tenor) , Markus Eiche (bass) , Maximilian Schmitt (tenor) , Michael Nagy (bass) , Roxana Constantinescu (alto) , Gächinger Kantorei Stuttgart (choir, chorus)
composed by
Franz Joseph Haydn
The recordings of German conductor Helmuth Rilling are sometimes unorthodox, especially when he goes beyond his central specialty: the music of J.S. Bach. These Haydn recordings exemplify both Rilling's strengths and his unorthodox qualities. As usual, Rilling uses modern instruments and fairly substantial choirs. Yet his approach to the Lord ...
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Villa-Lobos: Bachianas Brasileiras Nos. 1, 4, 5 & 6
(2007)
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performed by
Alexandre Silvério (bassoon) , Antonio Meneses (cello) , Donna Brown (soprano) , Jean Louis Steuerman (piano) , Sato Moughalian (flute) , São Paulo Symphony Orchestra, cellists of , Roberto Minczuk (conductor)
composed by
Heitor Villa-Lobos
The nine Bachianas Brasileiras of Heitor Villa-Lobos represent a wonderfully unique set of pieces, many of which are scored for unusual sets of instruments, that beautifully juxtapose Baroque and classical forms with vibrant Brazilian Nationalism. Such works require not only technically superior musicians, but they also posses a deep understanding ...
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