The three cantatas on this disc, volume 33 of the ongoing complete edition by conductor Masaaki Suzuki and his historical-instrument Bach Collegium Japan, aren't familiar items. But they make a marvelous program that introduces the listener to many of the specific virtues of Suzuki's series. Those virtues do not run especially in the direction of ...
The 36th volume in Masaaki Suzuki's survey of the complete extant cantatas of Bach shares all the virtues of the previous 35: insight into the works' spiritual underpinnings and top-notch musicality. The four vocal soloists sing with relaxed agility, and though some might find Yukari Nonoshita's soprano too white and Robin Blaze's counter-tenor ...
Philosopher Jean-Jacques Rousseau's work in music is little known today, but he managed to create and sustain an atmosphere of conflict in the world of French opera during the mid-eighteenth century. Since Rameau, the reigning master of tragédie lyrique at the Opéra, declared one of Rousseau's early operas "the work of a musical ignoramus," ...
Sigiswald Kuijken was once just the violin-playing Kuijken who used to join his brothers, the transverse flute-playing Barthold and the viola da gamba playing Wieland, plus harpsichord playing Gustav Leonhardt to perform and record Baroque chamber music. After his gut-wrenching, soul-transforming recording of Bach's solo violin sonatas and ...
Thankfully, Sigiswald Kuijken doesn't feel the overwhelming urge to record every extant sacred cantata by J.S. Bach. That project would have consumed years of his life -- and at best only equaled the achievements of other, earlier explorers. By choosing to record only enough cantatas to span a single liturgical year of Sundays plus the major holy ...
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