France's Naïve label has made its mark with stirringly played recordings of Baroque music by top groups from all over Europe, presented in packaging with striking contemporary design elements that emphasize the music's energy and relevance. The label has done well enough that it has been able to amplify its own catalog with reissues of ...
Finding out what the daring and flashy Rinaldo Alessandrini and his Concerto Italiano would do with the very familiar Brandenburg Concertos of Bach might qualify as a major event in the field of historically authentic recordings of Baroque music, and, right from the lovely if rather mysterious cover photo of a deer wandering up a parking ramp, ...
This three-disc box combines several recordings by the Concerto Italiano and leader Rinaldo Alessandrini, dating back to 1998; the result is a complete set of Monteverdi's madrigals of Book Eight. The word "madrigal" was fast losing its meaning by this late stage in Monteverdi's career, and the works contained here are of various kinds. One can ...
If speed was the sine quo non of historically informed period instrument performance practice, this disc coupling Vivaldi's Gloria and Magnificat along with a pair of concerti performed by the Concerto Italiano under the direction of Rinaldo Alessandrini would be hands down the best historically informed period-instrument performance practice ...
The recordings of the Concerto Italiano under its leader Rinaldo Alessandrini, such as this album, first released in 1997, electrified the authentic-performance movement in Italy. Alessandrini showed that performances of Vivaldi on authentic instruments could be edgy, brisk, even tough. The group's ensemble work was unmatched, but perhaps best of ...
The style of Italian early music conductor Rinaldo Alessandrini and his Concerto Italiano might be described as both strongly expressive and highly intelligent. Consider this recording of Monteverdi's Sixth Book of Madrigals, pieces that hover between the older polyphonic madrigal tradition and the newer, essentially soloistic and dramatic ...
Austerely agonized, excruciatingly ecstatic, and vocally virtuosic, this disc joining Alessandro Scarlatti's Dixit Dominus and Magnificat with five secular madrigals incarnates the notion of mannerism in music. Though self-consciously conservative, Scarlatti's music here is so expertly composed and so manifestly deeply felt that its extraordinary ...
This recording, made in 1998, was one of a group that elevated Pergolesi's Stabat mater, written shortly before his extremely untimely death from tuberculosis, to the status of a major masterpiece. Really the group as a whole has had more to do with that elevation than any single recording, for it has shown how much there is to this set of arias ...
The career of conductor Rinaldo Alessandrini is a testimony to his rigor as a scholar and his flexibility and sensitivity as a musician. A case in point is his treatment of Monteverdi, a composer whose music underwent seismic developments between his early career as a Renaissance madrigalist and his Venetian operas written in the mid-seventeenth ...
L'Orfeo has become enough of a standard that it's no longer treated as a museum piece requiring reverential sobriety in its presentation, but even by modern standards, Naïve's recording must qualify as one of most uninhibited and vivacious on disc. This quality is not merely a matter of tempo, even though this version is overall somewhat faster ...
The career of conductor Rinaldo Alessandrini is a testimony to his rigor as a scholar and his flexibility and sensitivity as a musician. A case in point is his treatment of Monteverdi, a composer whose music underwent seismic developments between his early career as a Renaissance madrigalist and his Venetian operas written in the mid-seventeenth ...
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![Bach: Brandenburg Concertos [Includes Bonus DVD]](http://images.alibris.com/cover/m13974tu6ot_t.jpg)
![Stabat Mater (Box Set) [Box Set]](http://images.alibris.com/cover/l99115q0ljl_t.jpg)
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