Recording has long been recognized as part of the lifeblood of symphony orchestras; in terms of publicity, satisfying the needs of patrons, and spreading the gospel about orchestras of high caliber, nothing beats a good recording. When the bottom fell out at BMG Classics in 1999, the illustrious Philadelphia Orchestra found itself without a ...
Ned Rorem's Piano Concerto No. 4 for the left hand was written for pianist Gary Graffman, who gives a striking performance on this 1994 release. The work is structured along the lines of a suite, with its eight distinct sections subsumed into three broad movements, roughly corresponding to the shape of a concerto. For all the challenging ...
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![Mahler: Symphony No. 6; Piano Quartet [Hybrid SACD]](http://images.alibris.com/cover/m23134d5su7_t.jpg)
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