What can anyone add to the praise that has deservedly been heaped on Robert King and the King's Consort's 11 discs of the complete sacred music of Vivaldi? Can one add that every single performance is first class -- wonderfully musical, deeply dedicated, and profoundly spiritual? Can one add that every single performer is first class -- absolutely ...
One might have thought Robert King had no worlds left to conquer. After all, he had already recorded all the sacred choral works of Vivaldi along with much of the choral music of Bach, Handel, Telemann, and Schütz in the '80s and '90s. But when King turned his attention to the sacred music of Monteverdi in the early years of the third millennium, ...
British mixed vocal ensemble the Sixteen specializes in a cappella sacred music from the Tudor period, but on this CD the group included a new work, "O bone Jesu," which it commissioned from Scottish composer James MacMillan. MacMillan's piece fits well into the program of early sixteenth century English and Scottish choral music; its tone matches ...
Robert King may have planned to end his series of recordings of the sacred music of Vivaldi with his grandest and most popular piece of sacred music, the Gloria, RV 589, but he couldn't have planned to end it with Vivaldi's Nisi Dominus, RV 803, because when the series began, the Nisi Dominus had not yet been found hidden among the Galuppi sacred ...
One might have thought Robert King had no worlds left to conquer. After all, he had already recorded all the sacred choral works of Vivaldi along with much of the choral music of Bach, Handel, Telemann, and Schütz in the '80s and '90s. But when King turned his attention to the sacred music of Monteverdi in the early years of the third millennium, ...
Fresh from the success of a 2006 Classic FM Gramophone Award-winning recording of the Dublin version of Messiah, conductor John Butt and the Dunedin Consort and Players have turned to Bach's Matthew Passion. This is an even more radical departure from traditional performing practice than the Consort's 12-member chorus for Messiah, which drew the ...
There is no shortage of skilled British vocal groups performing the choral music of William Byrd, but this lovely disc of music drawn from the Gradualia collection of 1605 (it would have been composed probably over the previous decade, in the midst of Britain's political and religious turmoil) stands out even among strong competition. It's notable ...
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