Haydn: Die Schöpfung [SACD Hybrid] (2005) more music like this

performed by Christine Wehler (alto), Hanno Muller-Brachmann (bass), Jan Kobow (tenor), Sunhae Im (soprano), VokalEnsemble Köln (choir, chorus), Capella Augustina, Andreas Spering (conductor)
composed by Franz Joseph Haydn

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Haydn: Die Schöpfung (The Creation) (2005) more music like this

performed by Christine Wehler (alto), Hanno Muller-Brachmann (bass), Jan Kobow (tenor), Sunhae Im (soprano), VokalEnsemble Köln (choir, chorus), Capella Augustina, Andreas Spering (conductor)
composed by Franz Joseph Haydn

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Handel: Imeneo more music like this

performed by Ann Hallenberg (mezzo-soprano), Johanna Stojkovic (soprano), Kay Stiefermann (bass), Locky Chung (bass), Siri Karoline Thornhill (soprano), VokalEnsemble Köln (choir, chorus), Capella Augustina, Andreas Spering (conductor)
composed by George Frederick Handel

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Brahms: Serenades 1 & 2 more music like this

performed by Capella Augustina, Andreas Spering (conductor)
composed by Johannes Brahms

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Haydn: Il ritorno di Tobia (2007) more music like this

performed by Anders J. Dahlin (tenor), Ann Hallenberg (alto), Nikolay Borchev (bass), Roberta Invernizzi (soprano), Sophie Karthäuser (soprano), VokalEnsemble Köln (choir, chorus), Capella Augustina, Andreas Spering (conductor)
composed by Franz Joseph Haydn

Arguably, Haydn's best opera isn't an opera at all. The oratorio Il ritorno di Tobia, Hob. 21/1, composed in 1775 and recorded here with two choruses added in 1784, is putatively a sacred work, drawing on the biblical (at least for Catholics and the Orthodox) Book of Tobit. But the narrative, featuring the return of a prodigal son, a fish-liver ...

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