Bach: Weihnachtsoratorium, BWV 248 [SACD] (2007) more music like this

performed by Bernarda Fink (alto), Christian Gerhaher (bass), Christine Schäfer (soprano), Gerald Finley (bass), Werner Güra (tenor), Arnold Schoenberg Choir (choir, chorus), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
composed by Johann Sebastian Bach

If this 2007 recording of Bach's Christmas Oratorio was the only one you were to hear, you would likely be well satisfied. Nikolaus Harnoncourt knows the work from long experience, his first recording dates from 1973, and he knows not only how to balance the soloists, chorus, and orchestra but how to balance the festive, the reflective, and the ...

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Gluck: Orfeo & Euridice more music like this

performed by Bernarda Fink (mezzo-soprano), Maria Cristina Kiehr (soprano), Veronica Cangemi (soprano), Berlin RIAS-Chamber Choir (choir, chorus), Freiburg Baroque Orchestra
composed by Christoph Willibald Gluck

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Handel: Rinaldo (2000) more music like this

performed by Academy of Ancient Music, Ana-Maria Rincon (soprano), Bejun Mehta (counter tenor), Bernarda Fink (mezzo-soprano), Catherine Bott (vocals), Cecilia Bartoli (mezzo-soprano), Daniel Taylor (counter tenor), David Daniels (counter tenor)
composed by George Frederick Handel

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Mozart: Così fan tutte more music like this

performed by Bernarda Fink (soprano), Graciela Oddone (soprano), Marcel Boone (baritone), Pietro Spagnoli (baritone), Veronique Gens (soprano), Werner Güra (tenor), Kölner Kammerchor (choir, chorus), Concerto Köln, Rene Jacobs (conductor)
composed by Wolfgang Amadeus Mozart

If the orchestrally lush, star-studded recordings of Georg Solti represent one end of the Mozartian taste spectrum, then this 1999 Così fan tutte by René Jacobs, the Concerto Köln, and a less well known cast surely represents the other. In the pursuit of period authenticity, Jacobs employs a greatly downsized original-instrument ensemble, ...

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Hippolyte et Aricie more music like this

performed by Aline Zylberajch (harpsichord), Annick Massis (vocals), Bernarda Fink (vocals), Ensemble Vocal Sagittarius, Florence Katz (vocals), Jean-Louis Georgel (vocals), Jean-Louis Meunier (vocals), Jean-Paul Fouchecourt (vocals), Laurent Naouri (vocals)
composed by Jean-Philippe Rameau

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Scarlatti: Il primo omicidio (1998) more music like this

performed by Akademie für Alte Musik, Berlin, Antonio Abete (bass), Bernarda Fink (alto), Dorothea Röschmann (soprano), Graciela Oddone (soprano), Rene Jacobs (counter tenor), Richard Croft (tenor), Rene Jacobs (conductor)
composed by Alessandro Scarlatti

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Bach: Easter Cantatas (2000) more music like this

performed by Bernarda Fink (contralto), Dietrich Henschel (bass), English Baroque Soloists, Julian Clarkson (bass), Mark Padmore (tenor), Michael Chance (counter tenor), Steve Davislim (tenor), Monteverdi Choir (choir, chorus), John Eliot Gardiner (conductor)
composed by Johann Sebastian Bach

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Mozart: Requiem [Hybrid SACD] (2004) more music like this

performed by Bernarda Fink (alto), Christine Schäfer (soprano), Concentus Musicus Wien, Gerald Finley (bass), Kurt Streit (tenor), Arnold Schoenberg Choir (choir, chorus), Nikolaus Harnoncourt (conductor)
composed by Wolfgang Amadeus Mozart

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Schumann: Das Paradies und die Peri; Requiem für Mignon; Nachtlied (1999) more music like this

performed by Alexandra Coku (soprano), Barbara Bonney (soprano), Bernarda Fink (mezzo-soprano), Christoph Prégardien (tenor), Constanze Backes (soprano), Cornelius Hauptmann (bass), Donna Deam (soprano), Gerald Finley (baritone), Jacqueline Connell (alto)
composed by Robert Schumann

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Cancíones amatorías (2002) more music like this

performed by Bernarda Fink (mezzo-soprano), Roger Vignoles (piano)
composed by Alberto Ginastera, Carlos Guastavino, Enrique Granados, Joaquin Nin, Joaquín Rodrigo

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Mozart Diary 2006 [Book+CD] (2005) more music like this

performed by Andreas Staier (fortepiano), Antonio Abete (bass), Bernarda Fink (mezzo-soprano), Bruno Pasquier (viola), Kobie van Rensburg (tenor), Lorenzo Regazzo (bass), Marcel Boone (baritone), Michel Portal (clarinet), Myron Lutzke (violoncello)
composed by Wolfgang Amadeus Mozart

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Hugo Wolf: Eichendorff - Leider (1998) more music like this

performed by Bernarda Fink (soprano), Roger Vignoles (piano), Stephan Genz (baritone)
composed by Hugo Wolf

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Brahms: Lieder more music like this

performed by Bernarda Fink (mezzo-soprano), Roger Vignoles (piano)
composed by Johannes Brahms

Bernarda Fink has the goods. The Argentinean mezzo soprano had turned in fabulous recordings before -- remember her passionately controlled Scena di Berenice by Haydn and her fervently sincere Sesto from La Clemenza di Tito by Mozart? -- but they can't match her disc ofBrahms' songs. In fact, not even Fink's earlier discs of songs by Schumann, ...

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Handel: Giulio Cesare (Excerpts) more music like this

performed by Barbara Schlick (soprano), Bernarda Fink (mezzo-soprano), Derek Lee Ragin (counter tenor), Furio Zanasi (bass), Jennifer Larmore (contralto), Marianne Rørholm (soprano), Rene Jacobs (harpsichord), Concerto Köln, Rene Jacobs (conductor)
composed by George Frederick Handel

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Classical Masters: Schubert (1999) more music like this

performed by Bartók Quartet, Bernarda Fink (alto), Budapest Strings, Colorado String Quartet, Evelyne Dubourg (piano), Helmut Wildhaber (tenor), Herbert Lippert (tenor), Ildiko Raimondi (soprano), Jeno Jando (piano), Karoly Botvay (cello), Michael Endres (piano)
composed by Franz Schubert

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A. Scarlatti: Griselda more music like this

performed by Bernarda Fink (mezzo-soprano), Dorothea Röschmann (soprano), Kobie van Rensburg (tenor), Lawrence Zazzo (counter tenor), Silvia Tro (mezzo-soprano), Veronica Cangemi (soprano), Akademie für Alte Musik, Berlin, Rene Jacobs (conductor)
composed by Alessandro Scarlatti

This is the first authoritative recording of Alessandro Scarlatti's Griselda, rendered with exquisite beauty by René Jacobs, the Akademie für Alte Musik Berlin, and an outstanding cast led by Dorothea Röschmann in the title role. Warming to the story of Griselda (originally by Boccaccio) -- the low-born woman who endures a string of indignities as ...

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Haydn: Schöpfungsmesse (2002) more music like this

performed by Andrew Busher (tenor), Bernarda Fink (alto), Brindley Sherratt (bass), Christoph Prégardien (tenor), David Watkin (cello), English Baroque Soloists, Joanne Lunn (soprano), Oliver Widmer (bass), Peter Butterfield (tenor), Ruth Ziesak (soprano)
composed by Franz Joseph Haydn

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Dvorák: Lieder more music like this

performed by Bernarda Fink (mezzo-soprano), Roger Vignoles (piano)
composed by Antonin Dvorák

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Mozart: La Clemenza di Tito more music like this

performed by Alexandrina Pendatchanska (soprano), Bernarda Fink (mezzo-soprano), Marie-Claude Chappuis (mezzo-soprano), Mark Padmore (tenor), Sergio Foresti (bass), Sunhae Im (soprano), Berlin RIAS-Chamber Choir (choir, chorus), Freiburg Baroque Orchestra
composed by Wolfgang Amadeus Mozart

La Clemenza di Tito, Mozart's final Italian opera, was composed in a hurried 18 days for the coronation of Leopold II in September 1791. In presenting Leopold, the Emperor of the Holy Roman Empire, with an opera about Titus, the Emperor of the Pagan Roman Empire, Mozart was not so subliminally advising the current Emperor to emulate the actions of ...

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Haydn: 6 Great Masses (2003) more music like this

performed by Andrew Busher (tenor), Angharad Gruffydd Jones (soprano), Bernarda Fink (alto), Brindley Sherratt (bass), Christoph Prégardien (tenor), Donna Brown (soprano), Elinor Carter (alto), English Baroque Soloists, Gerald Finley (bass), Joanne Lunn (soprano)
composed by Franz Joseph Haydn

Haydn's late masses are as good as it gets for spiritual greatness in Catholic Austria in the early years of the nineteenth century. Mozart certainly has his moments, but he didn't finish his best spiritual works, and while there's no denying the greatness of Beethoven's Missa Solemnis, his only earlier Mass is hardly in the same class as Haydn's ...

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René... By Himself [Includes DVD] more music like this

performed by Alexandrina Pendatchanska (soprano), Andreas Scholl (contratenor), Andreas Scholl (alto), Antonio Abete (bass), Bernarda Fink (mezzo-soprano), Chiara Banchini (violin), Christina Hogman (soprano), Christoph Prégardien (tenor)
composed by Antonio Caldara, Antonio Cesti, Christoph Willibald Gluck, Claudio Monteverdi, Dietrich Buxtehude, Francesco Cavalli, Francisco Antonio de Almeida, François Couperin, Franz Joseph Haydn, Georg Philipp Telemann, George Frederick Handel, Heinrich Schütz

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Handel: Messiah (arranged by Mozart) (2003) more music like this

performed by Bernarda Fink (contralto), Chris de Moor (bass), Hans Peter Graf (tenor), Lynne Dawson (soprano), Stephen Varcoe (bass), Namur Chamber Choir (choir, chorus), La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire (conductor)
composed by Wolfgang Amadeus Mozart

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La révolution du Baroque italien (2005) more music like this

performed by Akademie für Alte Musik, Berlin, Andreas Lebeda (vocals), Andrew Manze (violin), Antonio Abete (bass), Bernarda Fink (vocals), Chiara Banchini (violin), Christina Hogman (vocals), Christophe Laporte (counter tenor), Claire Brua (soprano), Concerto Soave
composed by Arcangelo Corelli, Biagio Marini, Claudio Monteverdi, Francesco Cavalli, George Frederick Handel, Giovanni Battista Sammartini, Girolamo Frescobaldi, Luigi Rossi, Orazio Vecchi, Riccardo Broschi, Sigismondo d'India

With this disc, Harmonia Mundi's Century: A History of Music series moves onto what sports fans might call its home field: the Harmonia Mundi catalog is heavily stocked with discs by artists who have brought the music of the seventeenth century to life, and several of them, notably Les Arts Florissants and its Buffalo-to-Paris-transplanted leader ...

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Verdi: Messa da Requiem [Hybrid SACD] (2005) more music like this

performed by Bernarda Fink (mezzo-soprano), Eva Mei (soprano), Ildebrando D'Arcangelo (bass), Michael Schade (tenor), Arnold Schoenberg Choir (choir, chorus), Vienna Philharmonic Orchestra, Nikolaus Harnoncourt (conductor)
composed by Giuseppe Verdi

In the interest of delivering a historically informed performance of Giuseppe Verdi's Requiem, and in fairness to the composer's often misunderstood wishes, Nikolaus Harnoncourt has taken pains to study the history of the work and follow the autograph score to make this live 2004 recording as authentic as possible. Through the use of appropriate ...

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Kittel: Arias and Cantatas (2000) more music like this

performed by Amandine Beyer (violin), Attilio Cremonesi (clavecin), Attilio Cremonesi (organ), Bernarda Fink (alto), Bernarda Fink (soprano), Gerd Turk (tenor), Guido Balestracci (viola da gamba), Jeremy Ovenden (tenor), Johanna Stojkovic (soprano)
composed by Caspar Kittel

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