Given the vaunted status of and incessant competitiveness among qualified musicians for the first section chairs of major symphony orchestras, perhaps it should not come as too much of a surprise that a first-chair soloist is often as skilled in transmitting concerto literature as a "star" recitalist. But producers of classical recordings have not ...
Arnold Jacobs was a totally unique figure among tuba players, able to control all aspects of his tone production and capable of an almost supernatural ability to project his sound. Jacobs spent 44 years in the tuba section of the Chicago Symphony Orchestra, and though his distinctive tone penetrates through Chicago's orchestral recordings of that ...
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