Your search: Classical Music » Artist: Amsterdam Baroque Choir
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Bach: Christmas Cantatas
(2003)
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performed by
Alfredo Bernardini (oboe d'amore), Annette Markert (alto), Barbara Schlick (soprano), Bogna Bartosz (alto), Caroline Stam (soprano), Christoph Pregardien (tenor), Deborah York (soprano), Dorothea Röschmann (soprano), Elisabeth von Magnus (alto)
composed by
Johann Sebastian Bach
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Bach: Matthäus Passion
(2006)
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performed by
Bogna Bartosz (alto), Cornelia Samuelis (soprano), Ekkehard Abele (vocals), Jörg Dürmüller (vocals), Klaus Mertens (bass), Paul Agnew (tenor), Amsterdam Baroque Choir (choir, chorus), Boys Choir of Sacraments-Church Breda (choir, chorus)
composed by
Johann Sebastian Bach
Ton Koopman has recorded Bach's St. Matthew Passion twice, and in many ways, he seems to have changed his mind about the work. His 1992 recording for Erato was, for an original instrument/historically informed performance, large in scale, broad in scope, dramatic in execution, and heavy in sound. This, his 2005 recording for Antonie Marchand, is ...
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Buxtehude: Wacht! Euch zum Streit gefasset macht (Das Jüngste Gericht)
(2006)
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performed by
Andreas Karasiak (tenor), Caroline Stam (soprano), Donald Bentvelsen (bass), Johannette Zomer (soprano), Klaus Mertens (bass), Orlanda Velez Isidro (soprano), Rene Steur (bass), Robin Blaze (alto), Robin Blaze (soprano)
composed by
Dietrich Buxtehude
After he finished recording everything he could possibly record by J.S. Bach in 2004, Dutch keyboard player and conductor Ton Koopman turned to recording everything he could possibly record by Dietrich Buxtehude in 2005. It made perfect sense. Buxtehude was a direct inspiration for the young Bach -- the story of the younger composer trekking from ...
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Bach: Kafee-Kantate
(2006)
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performed by
Anne Grimm (soprano), Els Bongers (soprano), Jaap ter Linden (violoncello), Klaus Mertens (bass), Paul Agnew (tenor), Ton Koopman (harpsichord), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
It sure doesn't sound like Johann Sebastian Bach -- this is lighthearted and laughing music of broad wit and human warmth -- and it sure doesn't sound like Ton Koopman -- this is goofy and giddy music-making with plenty of juice -- and yet it's both Bach and Koopman. Apparently even Bach had to lighten up sometimes -- how many cantatas with names ...
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Mass: The Most Powerful, Uplifting & Passionate Music You Will Ever Hear
(2000)
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performed by
Chanticleer, Concentus Musicus Wien, Les Arts Florissants Orchestra & Chorus, Les Sacqueboutiers, Marieke Blankenstijn (violin), Musica Polyphonica, Sinfonia Varsovia, Ambrosian Singers (choir, chorus), Amsterdam Baroque Choir (choir, chorus)
composed by
Francis Poulenc, François-Joseph Gossec, Frank Martin, Franz Joseph Haydn, Gabriel Fauré, Giacomo Carissimi, Giovanni Pierluigi da Palestrina, Giuseppe Verdi, Hector Berlioz, Heinrich Ignaz Franz von Biber, Ignacio Jerusalem, Johann Sebastian Bach
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Bach: Christmas Oratorio
(1996)
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performed by
Christoph Pregardien (tenor), Elisabeth von Magnus (vocals), Klaus Mertens (baritone), Lisa Larsson (soprano), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
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Bach: Saint Mark Passion (Reconstruction by Ton Koopman)
(2000)
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performed by
Bernhard Landauer (alto), Christoph Pregardien (tenor), Jan Kleinbussink (organ), Klaus Mertens (bass), Paul Agnew (tenor), Peter Kooy (bass), Sibylla Rubens (soprano), Ton Koopman (organ), Amsterdam Baroque Choir (choir, chorus)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 12
(2005)
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performed by
Annette Markert (alto), Christoph Pregardien (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Sibylla Rubens (soprano), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
Even at their most deeply spiritual, there is a profound humanity to Ton Koopman and the Amsterdam Baroque Orchestra and Choir's recordings of Bach's cantatas that makes them essentially of this world. Take their performance of Was mein Gott will, das g'scheh allzeit (What my God wills, that'll always happen) BWV 111. If there is a typical Bach ...
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J.S. Bach: Cantatas, Vol. 15
(2004)
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performed by
Bogna Bartosz (alto), Christoph Pregardien (tenor), Deborah York (soprano), James Gilchrist (tenor), Johannette Zomer (soprano), Jörg Dürmüller (tenor), Klaus Mertens (bass), Paul Agnew (tenor), Sandrine Piau (soprano), Sibylla Rubens (soprano)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 11
(2005)
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performed by
Annette Markert (alto), Christoph Pregardien (tenor), Klaus Mertens (bass), Klaus Mertens (bass), Sibylla Rubens (soprano), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
With so many recordings of Bach's cantatas to choose from, why should the listener choose Volume 11 of Ton Koopman's survey of the complete cantatas? Does it include any of the "greatest hits" among the cantatas? No, none of the nine works included here, all from the second year of Bach's residence in Leipzig, are particularly well-known. Does it ...
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J.S. Bach: Cantatas, Vol. 13
(2003)
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performed by
Alfredo Bernardini (oboe d'amore), Alfredo Bernardini (oboe), Deborah York (soprano), Franziska Gottwald (alto), Heiko ter Schegget (piccolo flute), Kati Debretzeni (violin), Klaus Mertens (bass), Margaret Faultless (violin), Paul Agnew (tenor)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 14
(2003)
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performed by
Annette Markert (alto), Annette Markert (soprano), Bogna Bartosz (alto), Christoph Pregardien (tenor), Deborah York (soprano), Franziska Gottwald (alto), Jörg Dürmüller (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Paul Agnew (tenor)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 20
(2005)
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performed by
Bogna Bartosz (alto), Christoph Pregardien (tenor), James Gilchrist (tenor), Johannette Zomer (soprano), Klaus Mertens (bass), Lisa Larsson (soprano), Nathalie Stutzmann (alto), Sandrine Piau (soprano), Amsterdam Baroque Choir (choir, chorus)
composed by
Johann Sebastian Bach
Brand new Bach! What more does anyone need to hear? Discovered in 2005, the strophic aria Alles mit Gott und nicht ohn' ihn (All things with God and nothing without Him) for soprano with a continuo of lute, organ, and bass, plus a ritornello of two violins and viola, is gloriously ripe Bach from 1713 written for the 52nd birthday of his patron, ...
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J.S. Bach: Cantatas, Vol. 16
(2004)
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performed by
Annette Markert (alto), Bogna Bartosz (alto), Christoph Pregardien (tenor), James Gilchrist (tenor), Johannette Zomer (soprano), Klaus Mertens (bass), Paul Agnew (tenor), Sandrine Piau (soprano), Sibylla Rubens (soprano)
composed by
Johann Sebastian Bach
How wonderful it must be to be Ton Koopman. Not only is he capable of playing every Baroque keyboard instrument at a virtuoso level, but he is recording the complete Cantatas of Bach with his own handpicked singers and instrumentalists with Koopman himself providing the keyboard continuo. In other words, Koopman gets to know one of the greatest ...
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J.S. Bach: Cantatas, Vol. 5
(1993)
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performed by
Anne Grimm (soprano), Christoph Pregardien (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Sibylla Rubens (soprano), Ton Koopman (harpsichord), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 4
(2003)
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performed by
Anne Grimm (soprano), Caroline Stam (soprano), Donald Bentvelsen (bass), Els Bongers (soprano), Jeremy Ovenden (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Paul Agnew (tenor), Ton Koopman (harpsichord), Amsterdam Baroque Choir (choir, chorus)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 17
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performed by
Bogna Bartosz (alto), Christoph Pregardien (tenor), Johannette Zomer (soprano), Jörg Dürmüller (tenor), Klaus Mertens (bass), Nathalie Stutzmann (alto), Paul Agnew (tenor), Sandrine Piau (soprano), Sibylla Rubens (soprano), Ton Koopman (organ)
composed by
Johann Sebastian Bach
Just how to arrange Johann Sebastian Bach's cantatas for purposes of recording is always a daunting question -- to organize a complete cantata project by BWV number works the least well of all possible options. If J.S. Bach: Cantatas, Vol. 17, gives any indication of what Ton Koopman has in mind, it appears to be historical context rather than ...
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J.S. Bach: Cantatas, Vol. 10
(2005)
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performed by
Caroline Stam (soprano), Klaus Mertens (bass), Michael Chance (alto), Paul Agnew (tenor), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
Just because there are ten cantatas in this tenth volume of Ton Koopman and the Amsterdam Baroque Orchestra and Chorus' complete recordings of Bach's cantatas is no reason to play them all straight through them. After all, the cantatas were intended to be heard just once a week at Sunday services, and playing ten straight through comes dangerously ...
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J.S. Bach: Cantatas, Vol. 7
(2004)
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performed by
Bogna Bartosz (alto), Elisabeth von Magnus (alto), Gerd Turk (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 2
(2003)
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performed by
Barbara Schlick (soprano), Christoph Pregardien (tenor), Jaap ter Linden (cello), Kai Wessel (alto), Klaus Mertens (bass), Ton Koopman (harpsichord), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 3
(2003)
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performed by
Amsterdam Baroque Soloists, Andreas Scholl (alto), Barbara Schlick (soprano), Caroline Stam (soprano), Elisabeth von Magnus (alto), Elisabeth von Magnus (soprano), Els Bongers (soprano), Klaus Mertens (bass), Paul Agnew (tenor), Ruth Holton (soprano)
composed by
Johann Sebastian Bach
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J.S. Bach: Cantatas, Vol. 8
(2004)
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performed by
Bogna Bartosz (alto), Dorothea Röschmann (soprano), Elisabeth von Magnums (alto), Elisabeth von Magnus (alto), Jörg Dürmüller (tenor), Klaus Mertens (bass), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
Since Ton Koopman began recording Bach's complete cantatas in 1994, he has gone through three labels in getting his recordings to the public. First it was Erato, then it was Teldec, and now, finally, Antonie Marchand, the company that has not only completed Koopman's work but reissued the earlier volumes. All this is a wonderful example of ...
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J.S. Bach: Cantatas, Vol. 9
(2004)
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performed by
Bernhard Landauer (alto), Caroline Stam (soprano), Christoph Pregardien (tenor), Klaus Mertens (bass), Lisa Larsson (soprano), Sibylla Rubens (soprano), Amsterdam Baroque Choir (choir, chorus), Amsterdam Baroque Orchestra, Ton Koopman (conductor)
composed by
Johann Sebastian Bach
It's a safe bet that very few listeners will buy just one volume of a series of the Bach cantatas. Whether it's the Helmuth Rilling, the Masaaki Suzuki, or the John Eliot Gardiner in single discs; the Gustav Leonhardt and Nikolaus Harnoncourt in double-disc sets; or the Ton Koopman in triple-disc sets, once a listener determines which series of ...
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Buxtehude: Opera Omnia V: Vocal Works, Vol. 2
(2007)
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performed by
Andreas Karasiak (tenor), Bettina Pahn (soprano), Daniel Taylor (alto), Johannette Zomer (soprano), Jonathan Manson (viola da gamba), Klaus Mertens (bass), Margaret Faultless (violin), Patrick van Goethem (alto), Amsterdam Baroque Choir (choir, chorus)
composed by
Dietrich Buxtehude
Danish-German composer Dietrich Buxtehude has an extensive output of vocal music in addition to his far better known canon of organ music. The vocal music is more obscure in that it is such a mixed bag. The oratorios he wrote have gone lost, many pieces relate directly to the organ music in a way that is difficult to divine now and some of the ...
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J.S. Bach: Cantatas, Vol. 22
(2006)
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performed by
Alfredo Bernardini (oboe), Bogna Bartosz (alto), Christoph Pregardien (tenor), James Gilchrist (tenor), Johannette Zomer (soprano), Jonathan Manson (violoncello), Jörg Dürmüller (tenor), Katharina Spreckelsen (oboe), Katharina Spreckelsen (oboe d'amore)
composed by
Johann Sebastian Bach, Wilhelm Friedemann Bach
The 22nd and final volume in Ton Koopman and the Amsterdam Baroque Orchestra and Choir's series of recordings of Bach's cantatas includes two of his final Lutheran cantatas, all four of his short Catholic masses based on movements taken from earlier cantatas, and an early secular version of one of the sacred cantatas plus arrangements of two ...
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