Prokofiev: Ivan the Terrible; Alexander Nevsky; Rachmaninov: The Bells (2007) more music like this

performed by Anatoly Mokrenko (baritone), Anna Reynolds (mezzo-soprano), Boris Morgounov, Irina Arkhipova (mezzo-soprano), John Shirley-Quirk (baritone), Robert Tear (tenor), Sheila Armstrong (soprano), Ambrosian Chorus (choir, chorus)
composed by Sergey Prokofiev, Sergey Rachmaninov

The three works collected here, Prokofiev's Ivan the Terrible and Alexander Nevsky and Rachmaninov's The Bells, are naturals to be grouped together in a set. All are essentially orchestral works with a significant choral component and parts for soloists. Prokofiev's two works are derived from film scores he wrote for the director Sergei Eisenstein ...

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Verdi: Requiem Mass; Cherubini: Requiem in C minor more music like this

performed by Agnes Baltsa (mezzo-soprano), Evgeny Nesterenko (bass), Renata Scotto (soprano), Veriano Luchetti (tenor), Ambrosian Chorus (choir, chorus), Philharmonia Orchestra of London, Riccardo Muti (conductor)
composed by Giuseppe Verdi, Luigi Cherubini

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Debussy: Images; Nocturnes; Prélude à l'après-midi d'un faune (2007) more music like this

performed by Peter Lloyd (flute), Ambrosian Chorus (choir, chorus), London Symphony Orchestra, André Previn (conductor)
composed by Claude Debussy

When EMI made its first digital recording 1979, it made several telling choices. It picked conductor André Previn, then best known for his performances of English and Russian repertoire; the London Symphony Orchestra, then well known as the most versatile and virtuosic orchestra in the English capital; Suvi Raj Grubb and Christopher Parker, then ...

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Wedding Classics (2006) more music like this

performed by Barbara Hendricks (soprano), Jonathan Rees (violin), Les Arts Florissants, Lionel Rogg (organ), Nancy Argenta (soprano), Nicholas Danby (organ), Scottish Ensemble (formerly BT Scottish Ensemble), Sister Marie Keyrouz (vocals), Taverner Consort Players
composed by César Franck, Charles Gounod, Dmitry Shostakovich, Felix Mendelssohn, Franz Schubert, Gabriel Fauré, George Frederick Handel, Johann Pachelbel, Johann Sebastian Bach, Marc-Antoine Charpentier, Tomaso Albinoni, Wolfgang Amadeus Mozart

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Gershwin, Kern, Porter: Overtures; Film Music (2006) more music like this

performed by London Sinfonietta, Ambrosian Chorus (choir, chorus), John McGlinn (conductor)
composed by Cole Porter, George Gershwin, Jerome Kern

The contents of this budget double CD make collective sense: overtures by George Gershwin, Cole Porter, and Jerome Kern, while not really well known in themselves, contain lots of familiar tunes and offer intriguing comparisons among the three great musical composers who would be hard to compress into any other listening experience. The ...

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Viva Verdi! Arias, Duets and Choruses more music like this

performed by Alfredo Kraus (vocals), Franco Corelli (vocals), Ghena Dimitrova (vocals), Maria Callas (vocals), Plácido Domingo (vocals), Renata Scotto (vocals), Renato Bruson (vocals), Shirley Verrett (vocals), Ambrosian Chorus (choir, chorus)
composed by Giuseppe Verdi

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Sigmund Romberg: The Student Prince more music like this

performed by Bonaventura Bottone (vocals), Bruce Rankin (vocals), David Rendall (vocals), Diana Montague (vocals), Donald Maxwell (vocals), Gay Soper (vocals), Grainne Renihan (vocals), Jason Howard (vocals), Leon Greene (vocals), Lisa Hull (vocals)
composed by Sigmund Romberg

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Wright and Forrest's Kismet (First Complete Recording) (1997) more music like this

performed by Bonaventura Bottone (vocals), Bruce Hubbard (vocals), David Rendall (vocals), Donald Maxwell (vocals), Edmund Barham (vocals), Edward Byles (vocals), Gerard O'Beirne (vocals), Harry Nicoll (vocals), Judy Kaye (vocals), Philip Griffiths (vocals)
composed by George Forrest / Robert Wright

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Holst: The Planets; St. Paul's Suite; Brook Green Suite more music like this

performed by Ambrosian Chorus (choir, chorus), Royal Philharmonic Orchestra
composed by Gustav Holst

If this were to be the only recording of The Planets you ever heard, it would be enough. Vernon Handley's clear, firm leadership combined with the Royal Philharmonic's colorful, virtuosic musicianship results in a wonderfully evocative and powerful rendition of Holst's well-worn score. Producer Alan Peters' 1993 digital sound is big, wide, and ...

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