A Life for the Tsar (1991) more music like this

performed by Alexandrina Pendatchanska (soprano), Boris Martinovich (bass), Chris Merritt (tenor), Konstantin Videv (bass), Mincho Popov (tenor), Stefania Toczyska (alto), Stoil Georgiev (bass), Sofia National Opera Chorus (choir, chorus), Emil Tchakarov (conductor)
composed by Mikhail Glinka

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Mozart: La Clemenza di Tito more music like this

performed by Alexandrina Pendatchanska (soprano), Bernarda Fink (mezzo-soprano), Marie-Claude Chappuis (mezzo-soprano), Mark Padmore (tenor), Sergio Foresti (bass), Sunhae Im (soprano), RIAS-Kammerchor (choir, chorus), Freiburg Baroque Orchestra
composed by Wolfgang Amadeus Mozart

La Clemenza di Tito, Mozart's final Italian opera, was composed in a hurried 18 days for the coronation of Leopold II in September 1791. In presenting Leopold, the Emperor of the Holy Roman Empire, with an opera about Titus, the Emperor of the Pagan Roman Empire, Mozart was not so subliminally advising the current Emperor to emulate the actions of ...

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Mozart: La Clemenza di Tito [Hybrid SACD] more music like this

performed by Alexandrina Pendatchanska (soprano), Bernarda Fink (mezzo-soprano), Marie-Claude Chappuis (mezzo-soprano), Mark Padmore (tenor), Sergio Foresti (bass), Sunhae Im (soprano), RIAS-Kammerchor (choir, chorus), Freiburg Baroque Orchestra
composed by Wolfgang Amadeus Mozart

La Clemenza di Tito, Mozart's final Italian opera, was composed in a hurried 18 days for the coronation of Leopold II in September 1791. In presenting Leopold, the Emperor of the Holy Roman Empire, with an opera about Titus, the Emperor of the Pagan Roman Empire, Mozart was not so subliminally advising the current Emperor to emulate the actions of ...

see all copies from $37.90!

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Mozart: Don Giovanni [Hybrid SACD] more music like this

performed by Alexandrina Pendatchanska (soprano), Johannes Weisser (baritone), Kenneth Tarver (tenor), Lorenzo Regazzo (bass baritone), Nikolay Borchev (bass), Olga Pasiecznik (soprano), Sunhae Im (soprano), RIAS-Kammerchor (choir, chorus), Freiburg Baroque Orchestra
composed by Wolfgang Amadeus Mozart

René Jacobs is an acknowledged master of informed period performance practice, and he turns his considerable arsenal of research, insight, and experience to Don Giovanni, which he maintains has become so mired in misguided nineteenth century interpretive traditions that most modern performances badly misrepresent Mozart's intentions. He points out ...

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Mozart: Don Giovanni more music like this

performed by Alessandro Guerzoni (bass), Alexandrina Pendatchanska (soprano), Johannes Weisser (baritone), Kenneth Tarver (tenor), Lorenzo Regazzo (bass baritone), Nikolay Borchev (bass), Olga Pasiecznik (soprano), Sunhae Im (soprano), RIAS-Kammerchor (choir, chorus)
composed by Wolfgang Amadeus Mozart

René Jacobs is an acknowledged master of informed period performance practice, and he turns his considerable arsenal of research, insight, and experience to Don Giovanni, which he maintains has become so mired in misguided nineteenth century interpretive traditions that most modern performances badly misrepresent Mozart's intentions. He points out ...

see all copies from $34.67!

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Verdi: Duets from Operas more music like this

performed by Alexandrina Pendatchanska (soprano), Nicola Ghiuselev (bass), Vladimir Stoyanov (baritone), Sofia Symphony Orchestra, Boris Hinchev (conductor)
composed by Giuseppe Verdi

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