For the four fraught, mysterious days of her doomed maiden voyage in 1912, the Titanic sails towards New York, glittering with luxury, freighted with millionaires and hopefuls. In her labyrinthine passageways are played out the last, secret hours of a small group of passengers, their fate sealed in prose of startling, sublime beauty, as Beryl ...
For the four fraught, mysterious days of her doomed maiden voyage in 1912, the Titanic sails towards New York, glittering with luxury, freighted with millionaires and hopefuls. In her labyrinthine passageways are played out the last, secret hours of a small group of passengers, their fate sealed in prose of startling, sublime beauty, as Beryl Bainbridge's haunting masterpiece moves inexorably to its known and terrible end.
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Publishers Weekly, 1996-08-26 Bainbridge, whose The Birthday Boys was an unforgettable rendition of Scott's fatal Antarctic expedition, has turned to another Edwardian tragedy for her new novel: the sinking of the Titanic. As Bainbridge admirers might expect, it is not the kind of version that would make a spectacular movie; rather, it is a meticulously observed account that almost offhandedly convinces the reader that this is exactly what it must have been like aboard the doomed liner. The story is told by a wealthy young American man-about-town, an adopted nephew of J. Pierpont Morgan, who in search of something to do has had a slight hand in the ship's design ("the specifications of bathtubs"). Once aboard, he drinks too much with his layabout friends; sees people like the Astors and Strauses; becomes infatuated with a girl who in turn falls for a mysterious and cynical stranger; and gets to know a young Jewish dress designer who is hoping to become a hit in New York. In a few deft strokes Bainbridge shows the gulf between the steerage passengers and the "nobs" while communicating the alternating servility and resentment of the crew. The book is nearly over before disaster strikes, but once again, the unnerving details seem just right: the careless self-confidence at the beginning, the gallantry quickly eroding to panic. Bainbridge's swift, economical novels tell us more about an era and the ways in which its people inhabit it than volumes of social history. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
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