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Writing on the Wall: Word and Image in Modern Art
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Simon Morley
This is the first systematic study of the use of words in artworks from the late 19th century to the present day. The 16 chapters are organized chronologically according to familiar artistic movements and groupings.
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Body Type: Intimate Messages Etched in Flesh
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Ina Saltz
This is a stunning photography collection on the use of typography in tattoo art, with an introduction and commentary provided by designer, Ina Saltz. This title will greatly appeal to graphic designers, typographers, the tattoo community, and a hip, pop-culturally savvy audience. The book has the written messages divided up into the following ...
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Ed Ruscha: New Paintings and a Retrospective of Works on Paper
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Ed Ruscha, Dave Hickey, Neville Wakefield
The enigmatic language art of Ed Ruscha disorients the viewer by remaining purposely out-of-context, and thus Forever just beyond comprehension. In this new publication, New Paintings and a Retrospective of Works on Paper, the reader is confronted with an artistic identity that has remained singularly intact For close to four decades. Two in-depth ...
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Martin Mull: Paintings
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Martin Mull
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They Called Her Styrene, Etc.
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by
Ed Ruscha
Assembled in the form of a thick block, this book reproduces approximately 600 "word" drawings, paintings and works on paper by the Los Angeles-based American artist Edward Ruscha (b. 1937). The result is a sort of novel without an obvious plot, a series of words with no narrative. Ruscha began making prints and drawings consisting of one word on ...
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The Look of Reading: Book, Painting, Text
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by
Professor Garrett Stewart
We take for granted that words can describe pictures, but we don't often consider that the reverse is also true: pictures can depict words, as well as the people reading them. In "The Look of Reading," Garrett Stewart explores centuries of painted images of reading, arguing that they collectively constitute an overlooked genre in the history of ...
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Mel Bochner: Language 1966-2006
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Johanna Burton, Mel Bochner (Contributions by), James Meyer (Contributions by)
A leading practitioner of conceptual art, Mel Bochner (b. 1940) was one of the first artists in the 1960s to reintroduce language into the visual field. Despite their significance, these contributions remain unexplored in art historical scholarship. This fascinating book provides for the first time an overview of Bochner's language-based works ...
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Words of Risk: The Art of Thomas Ingmire
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Robert Williams, Karyn L. Gilman (Editor), Michael Gullick
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Ed Ruscha: The Word Paintings
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Yve-Alain Bois
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Jenny Holzer: Laments
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Jenny Holzer, Dia Art Foundation
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Gunpowder and Stains
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by
Edward Ruscha, Monika Spruth (Editor), Diedrich Diederichsen
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Pro Forma, Volume 3: Language/Text/Visual Art
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by
Jessica Wyman (Editor)
In this three-volume series, editor Jessica Wyman assembles essays that consider the developments and directions of the use of text in visual art, exploring what personal, social or political motivations inspire artists to use text and how text-based art is understood. Volume 3 examines art that translates between or crosses boundaries between ...
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Pro Forma: Language/Text/Visual Art - Volume 1
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by
Jessica Wyman (Editor)
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Ian Breakwell : textworks, 1966-1999
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Ian Breakwell, Colin Rhodes, Loughborough University. School of Art and Design
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Hamish Fulton Und Peter Hutchinson
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Hamish Fulton
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Eklipse
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by
Lothar Baumgarten, Thomas Wagner (Text by)
Text by Thomas Wagner. Typography by Walter Nikkels. Lothar Baumgarten began in the 1960s to develop a critique of the system of naming. The works in this artists book are all wall drawings displayed on the walls of the interior or facade of the museum, the placement of which force the viewer to reflect critically on the historically constructed ...
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The Anatomy of the Image Maps According to Merriam-Webster's Third International Dictionary of the Engli
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Bonnie Gordon
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Icons, texts, iconotexts : essays on ekphrasis and intermediality
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by
Peter Wagner
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How to Touch What: An Artists' Book
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by
Eve Sonneman, Lawrence Weiner
World famous conceptual artist Lawrence Weiner and equally famed photographer Eve Sonneman have jointly produced what accurately may be regarded as a marriage of text and pictures. Weiner's signature rubber stamp art work takes a uniquely literal turn by gracing, or "stamping", Sonneman's photographs, the first time his work has ever appeared in ...
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Celebrating American Poetry: An Exhibition of Contemporary Letter Arts
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by
Karyn L Gilman (Editor)
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Max Ernst : Text-Bild-Kombinationen 1919 bis 1925
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by
Isabel Greschat
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Les Mots dans la peinture
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by
Michel Butor
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Edward Ruscha : romance with liquids: paintings 1966-1969
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by
Yve Alain Bois, Gagosian Gallery
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Crossroad of arts, crossroad of cultures
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by
Masha Rubins
This text is the study of the aesthetic similarities between the French Parnassians, a 19th century group of poets led by Theophile Gautier, and the Russian Acmeist poets, including Osip Mandelstam and Anna Akhmatova, who were active in the second decade of the 20th century. The Acmeists shared with the Parnassians a classical sensibility, an ...
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Out of Context
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by
Susan Joyce
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