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Audio-Vision
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by
Professor Michel Chion
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we ...
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Practical Art of Motion Picture Sound
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by
David L Yewdall
"Practical Art of Motion Picture Sound" embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople, this book provides numerous real-life examples and relevant technical data. It also is firmly grounded in practical techniques and it will show you an appreciation of all the processes involved in ...
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You Ain't Heard Nothin' Yet: The American Talking Film, History & Memory, 1927-1949
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by
Andrew Sarris
This book concentrates on the first two decades of the talking film in America, a period often referred to as Hollywood's Golden Age. Sarris devotes approximately half of the book to directors, due his contention that the director is the true author of a film. The remaining sections focus on the studios, major genres, and actors and actresses of ...
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Film Sound: Theory and Practice
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by
Elisabeth Weis (Photographer), John Belton (Photographer)
-- Film Quarterly
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The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930
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by
Scott Eyman
A history of how Hollywood was changed by the introduction of soundtrack films. Eyman argues that the new technology had far-reaching implications for the art and altered the styles of cinematography and screenwriting profoundly.
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The Jazz Singer
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by
Robert L Carringer (Editor)
Talks about "The Jazz Singer", the first feature length film with spoken dialog as part of the dramatic action. This film deals with the conflicts confronting the first-generation Jew in America.
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
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by
Robert Spadoni
In 1931 Universal Pictures released "Dracula" and "Frankenstein", two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. "Uncanny Bodies" argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking ...
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Dialogue Editing for Motion Pictures: A Guide to the Invisible Art
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by
John Purcell, Dominick Tavella (Foreword by)
Dialogue editing is a crucial yet invisible part of filmmaking. Do it right, and no one notices. Do it wrong, and your film or video sounds messy, distracting, and unrealistic. This is a book for people who need to edit production sound for film, TV, or video but were never taught how to do it. It goes step by step through the process and covers ...
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Synchronization from Reel to Reel: A Complete Guide for the Synchronization of Audio, Film and Video
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by
Jeffrey C Rona
This book provides a step-by-step explanation of the tools needed to work with multitrack tape, film and video. From the most basic of recording set-ups using home recording equipment, up to top professional recording, film and television studios, you will see how the devices that play such an important role in today's music recording are selected ...
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Audio Design: Sound Recording Techniques for Film and Video
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by
Tony Zaza
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Sound Technology and the American Cinema: Perception, Representation, Modernity
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by
James Lastra
-- Review of Communication
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A pictorial history of the talkies.
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by
Daniel C. Blum
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The Shattered Silents: How the Talkies Came to Stay
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by
Alexander Walker
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Lowering the Boom: Critical Studies in Film Sound
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by
Jay Beck (Editor), Tony Grajeda (Editor)
As the first collection of new work on sound and cinema in over a decade, "Lowering the Boom" addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambient noise affect identity ...
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Encyclopedia of Motion Picture Sound
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by
Marty McGee
Ever since 1926, when The Jazz Singer broke the silence of the silver screen, sound has played an integral role in the development and appreciation of motion pictures. Fourteen years after the advent of talkies, Disney's Fantasia upped the ante by introducing fully directional sound called Fantasound to theater audiences. After myriad experimental ...
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Gardner's Guide to Audio Post Production
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by
Mark Scetta
A step-by-step guide to post-production sound for film, video, and television, this resource includes practical techniques used by experienced editors and mixers to create professional-quality audio. Topics of discussion include how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film ...
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Sound-On-Film: Interviews with Creators of Film Sound
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by
Vincent Lobrutto
"Sound-on-Film" contains interviews with 27 prominent men and women who discuss their careers and the art and craft of film sound. These sound creators represent many of the crafts working in film sound, including production sound, sound editing, sound design, additional dialogue replacement (ADR), Foley, re-recording mixing, and sound engineering ...
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A new pictorial history of the talkies
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by
Daniel C Blum
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The technique of audio post-production in video and film
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by
Tim Amyes
Covers the techniques needed to audio post-produce video and film programmes. A detailed explanation of the techniques and methods used in audio post-production, this book is aimed at those involved in video and film editing, as well as audio recording, whether in music, television, video or film. The text also takes into consideration the changes ...
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The Dolby Era: Film Sound in Contemporary Hollywood
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by
Gianluca Sergi
Acknowledgements; List of Illustrations; Part 1: Film sound in the Dolby era; Introduction: Sound matters; 1. The Dolby phenomenon; 2. Interview with the creators of Dolby: Ray Dolby; 3. Critical receptions of sound; 4.
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Sound Films, 19271939: A United States Filmography
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by
Alan G Fetrow
This thorough reference book contains 5,418 listings of feature-length films produced in the United States from the beginning of the "talkies" era in 1927 through 1939. For each are supplied production credits, year of production and release, genre, plot synopsis, cast and technical crew, running time (when available), debuts and career finales, ...
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The Coming of Sound
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by
Professor Douglas Gomery, Gomery Gomery
The coming of sound in the late 1920s is a crucial segment in the history of film, completely transforming the industry. Drawing upon research carried out over the last thirty years, the book examines how the arrival of sound brought a boom to the industry and why its social impact deepened in complexity.
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Audio Post-Production in Video and Film
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by
Tim Amyes
Provides a thorough overview of audio post-production theory and technique. It is a good introduction for beginners and has enough technical depth to suit practicing professionals, whether in small production houses or larger facilities. Equipment and processes are illustrated with explanatory diagrams throughout, and supported by a ...
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The Talkies: U.S. Cinema's Transition to Sound, 1926-1931
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by
Donald Crafton
This series is the most thorough history yet published of the business, technology, and art of the film industry from its earliest roots 100 years ago, through the 1990s.
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How to Make Good Sound Movies
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by
Eastman Kodak Company
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